Author and Scriptwriter

'Among the most important writers of contemporary British horror.' -Ramsey Campbell
Showing posts with label simon clark. Show all posts
Showing posts with label simon clark. Show all posts

Thursday, 18 October 2018

The Inevitable 'What I'm Doing At Fantasycon' Post For Anyone Who Missed It On Facebook

Last year's FCon, with Priya Sharma, Lynda E. Rucker and Sean Hogan/
My Fantasycon 2018 Schedule: I'm a little on the busy side this year.

Friday
5.00 pm
Panel: Writing The Immortal Enemy
Simon Bestwick (m), Powder, Ren Warom, Clint Wastling, Den Patrick
A panel tribute to those villains who refuse to submit, lay down and die. Maybe you wrote an evildoer and you couldn’t let go? Maybe you’re a fan of one that we all know? Our panel talks about those recurring nemesii who we all love and hate.
 
7.00 pm
Readings (Horror)
Stephen Laws, Simon Bestwick, Tina Rath
Stephen and Tina are both ace writers. I don't know what they'll be sharing with the audience, but I'll be reading one of the tales from Singing Back The Dark.

Saturday
1.00 pm
Black Shuck Books Launch
Black Shuck's FCon releases include John Llewellyn Probert's The Last Temptation of Dr Valentine, Colleen Anderson's A Body Of Work, and Great British Horror #3: For Those In Peril. This sea-themed anthology of horror fiction includes my story 'The Bells Of Rainey.' So I'll be there.

7.00 pm
Writing Warfare
Simon Bestwick (m), Danie Ware, Andy Remic, Anna Stephens, Anna Smith Spark
From Homer to Warmaster Horus, the battle scene has been a mainstay of epic fantasy and space opera science fiction. Our panel discussion battle scenes, whether up close and personal, from a tactical  perspective or looking down from the god’s eye.

Sunday
12.30pm
Dead Bodies
Simon Bestwick (m), Steve Toase, GV Anderson, James Brogden, Simon Clark
Many good stories involve a mystery. Whether the case at hand has remained unsolved for hundreds of years, or happened in the first chapter of the book, a good puzzle provides the writer with an opportunity to engage the reader’s brain in finding the answer. Our panelists discuss unsolved conundrums, consider the role of accurate research, and look at a range of tools that are at the writer’s disposal to create intriigue for the curious reader. 

Wednesday, 5 April 2017

Things of the Week 5th April 2017: Interview by Louisa Rhodes, New The Feast Of All Souls review, The Adventure of the Orkney Shark


Photo by Vicky Morris.
A few things to announce this week...

First up, there's this really cool interview done last month, after my half of the Hive Writer's Day Workshop with the brilliant K.T. Davies. Louisa Rhodes, one of Hive's young writers, fed me questions about horror, writing and spaghetti, typed up my rambling responses and made them look reasonably intelligent. So here's the result. Louisa did a fantastic job, and was a pleasure to talk to.

The Feast Of All Souls has a new review, over at RisingShadow, in which Seregil of Rhiminee describes it as "one of the best horror novels I've read in recent years... entertaining, thrilling... ambitious and well-written. Excellent British horror fiction!"

Many thanks to RisingShadow, and to Seregil!

And finally... Simon Clark's anthology Sherlock Holmes's School For Detection is out now.

It's 1890. Sherlock Holmes and Doctor Watson return to Baker Street after a night pursuing a vicious criminal. Inspector Lestrade is waiting for Holmes with a proposition of national importance.
Lestrade tells Holmes that a school of detection has been formed to train a new breed of modern investigators that will serve in Great Britain and the Empire. Most students will become police officers. Some, however, will become bodyguards and spies. Holmes begins instructing his decidedly curious assortment of students from home and abroad. He does so with his customary gusto and inventiveness.
Scotland Yard, in the main, allocates crimes to solve and Holmes mentors his students. Occasionally, he shadows them in disguise in order to assess or even directly test their abilities with creative scenarios he devises. Certain crimes investigated by the students might appear trivial, such as the re-positioning of an ornament atop a garden wall, yet it will transpire an assassin has moved the ornament to create good sightlines in order to commit murder with a sniper's rifle.
Other mysteries are considered outside the domain of the police. For example, the inexplicable disappearance of a stone gargoyle, which is linked to an ancient family curse. Or a man suffering from amnesia who discovers that not only has he acquired a secret life but also gained an implacable enemy, too. Holmes, with the ever- trustworthy Doctor Watson in his wake, is kept busy with his students' cases, ranging from minor to serious, sometimes rectifying their mistakes and saving them from a variety of disasters.
These eleven wonderful new adventures and intrigues include tales such as 'The Gargoyles of Killfellen House', 'Sherlock Holmes and the Four Kings of Sweden' and 'The Case of the Cannibal Club'.

The anthology also features my story The Adventure Of The Orkney Shark. Other contributors include Cate Garder, Paul Finch, Alison Littlewood, Carole Johnstone... and many, many more.

The Adventure of the Orkney Shark is set in 1927. Lieutenant-Commander Noel Atherstone, recalled from retirement in Australia for the Imperial Airship Scheme, is given a top-secret mission: to assist Sherlock Holmes in investigating the mysterious disappearance of ships in the North Sea. Fishermen blame the gigantic and voracious Orkney Shark - but as Atherstone, Holmes and Holmes' reluctantly-acquired pupil Mr Blacksmith search the seas in airship R.36, they discover a threat far deadlier than any sea monster...


There,” said Blacksmith, pointing from an open starboard window.
Where?” Holmes and I ran to his side, peering out – but we had already passed over the spot.
Reduce speed,” I told Church. “Mr Potter, bring us around. Mr Hunt, maintain altitude.”
Slowly the airship turned. It wasn’t a quick process; R.36 was six hundred and seventy-five feet long from nose to tail, and almost eighty wide. But in the end, she cruised back the way she had come, at a more sedate pace.
What did you see, and where?” demanded Holmes. Blacksmith pointed to an area of swirling water between two flat, tabular skerries.
There,” he said. “It does not move.”
I see nothing,” said Holmes.
Nor I,” I said. “Just rock, weed, barnacles…”
Barnacles, yes. There are none elsewhere on these shoals.”
He was right, now I considered: for whatever reason, the tiny shellfish didn’t appear on any visible part of the rocks and skerries. They lay only in this one area, in a long wide cluster. As we drew closer, I saw its outline was distorted by the water’s churning, but there was something about the shape – a regularity, a symmetry.
The barnacles had not grown here; they had grown somewhere – or on something – else. Something that had spent a great deal of time in other parts of the sea, more conducive to their survival.
Blacksmith was right: I saw it now. A great mass, encrusted in barnacles and weed, in the shape of a huge fish – a long teardrop body, but with fins, almost like wings, jutting out from its sides, and another, a thin sharp triangle, rising from its back. But it was larger than any fish – four hundred feet, if it was an inch...

You can buy the anthology here.