Here's the full table of contents:
Author and Scriptwriter
Thursday, 29 July 2021
Friday, 23 July 2021
Firstly, Part Two of my interview at The Tiny Bookcase is now up, and you can amuse yourselves listening to further witterings from me, including my attempt at a Northern Irish accent, favourite quotes about writing, and what little advice I can give to those just starting out. (Because I'm such a great advert for being enormously successful.)
Secondly, I'm delighted to announce that my novel Black Mountain has found a new home!
Black Mountain was first published as an ebook serial by Spectral Press in 2014. It's been unavailable for several years, but Mynydd Du, the strange and terrible mountain at the centre of the Bala Triangle, will finally rise again in a new revised edition from Italy's Independent Legions Publishing. It's been a long road, but I'm over the moon.
The new edition will be published in both print and ebook form, which will be the first time the novel has appeared in print.
Immense gratitude to Independent Legions' Alessandro Manzetti.
More news to follow soon.
Have a great weekend, everyone!
Friday, 16 July 2021
Latest News from Castle Bestwick: Post-op treatments, Devils Of London Cover Reveal and The Tiny Bookcase Podcast...
Many thanks to all the wonderful people - both before the last blogpost and since - to send messages of support to Cate. She's now almost completely recovered from her surgery. This week we've found out about the post-op treatment: four chemotherapy sessions, followed by radiotherapy and then brachiotherapy. We'd initially expected the treatment would only involve radiotherapy, or as an outside possibly chemo instead. It does mean it's going to be more physically gruelling than originally hoped, which among other things has meant we've had to cancelled our planned holiday in October. Fortunately the venue, where we've stayed before, has very kindly returned our deposit.
Cate was more than a little shaken by the news - we both were - but with any luck, at least, it'll make sure that any traces of the cancer will be destroyed and things will be back to (ab)normal sooner rather than later.
In other news, and on a happier note, the ebook of Devils Of London, my upcoming novella from Hersham Horror, is now available for pre-order, courtesy of that fine gentleman Mr Peter Mark May. Which means Neil Williams' fantastic cover art can now at last be revealed! As you can probably guess from the cover, Devils Of London is a far less gentle tale than my last two novellas, Roth-Steyr and A Different Kind Of Light.
"Devils wear many faces.
Britain, in the not too distant future. A new Great Fire Of London breaks out, engulfing the city. Amid the terror and confusion, people look for someone to blame. John is one of a group of undocumented workers, living in a derelict part of the city, who find themselves being scapegoated for the disaster.
Being chased through the burning streets by the vicious ‘yellow-scarves’ is bad enough. But when they pass a burning church, a terrifying figure bursts out of the building. Something ancient and monstrous, free at last after centuries of sleep. And for John and the others, the question may now be which of London’s monsters – human or demonic – gets to claim their souls…"
Devils Of London will be published on 24th September.
Meanwhile, I did an interview earlier this month for The Tiny Bookcase Podcast and its hilarious hosts Ben and Nico. You can hear me talk bollocks - including the phrase 'Ash Bukkake' - at length here. In addition, each of us wrote a short piece of prose inspired by the title 'Under The Crust,' all with different and entertaining results. You can listen to me read my contribution on the podcast, or if you'd rather read it you can do so over on my Patreon.
Nico also creates a cartoon drawing of each guest, and I rather like the one he's done of me. It's got more hair for a start...
Anyway, that's the state of play at Castle Bestwick for now. See you again soon, and take care. Thanks, once more, to everyone who's sent kind words or other messages or gestures of support to us.
Friday, 2 July 2021
Well, it's been a while, and for good reason. As some of you will know - those who follow me on Facebook - Cate underwent surgery earlier this month, having been diagnosed with womb cancer in April. Luckily it was diagnosed at an early stage, and Cate's recovering well, I'm glad to say. I'm squeezing in bits of writing (including this) in between the demands of my new life as her personal butler. There are worse fates. :)
Many thanks to all the friends and family who sent kind messages of support, advice, hugs, or books over the past few difficult months. We're hoping the worst is past.
On a brighter note, I've been able to carry on not only writing but submitting, and June's seen a total of three story acceptances.
The first one is for James Aquilone's Classic Monsters Unleashed, in which my story 'Mummy Calls' will appear alongside works by Ramsey Campbell, Mercedes M. Yardley, F. Paul Wilson, Joe R. Lansdale, Seanan McGuire, Lucy A. Snyder, Richard Christian Matheson, Lisa Morton, Monique Snyman, Owl Goingback, Gary A. Braunbeck, Rena Mason, John Palisano, Maurice Broaddus, Linda Addison, Tim Waggoner, Jonathan Maberry, Alessandro Manzetti, Dacre Stoker & Leverett Butts, and more.
The list of authors above was announced before the call for unsolicited submissions, which will take up about 25% of the anthology, so there was a lot of competition for those slots. I'm enormously proud to have made the cut.
Classic Monsters Unleashed, featuring new riffs and takes on archetypal horrors such as Dracula, The Wolfman, Dr Moreau, Frankenstein, Jekyll and Hyde and M.R. James' Count Magnus, will be released by Crystal Lake Publishing in October.Bone Street Blues,' which is currently free over on my Patreon. The anthology also features stories by Gary Couzens, Allen Ashley, Caitlin Marceau, Susan York and many more.
My third acceptance is for Phantasmagoria, one of those rare and wonderful beasts, a regular, non-themed horror magazine and edited by the steady hand of Trevor Kennedy. Phantasmagoria is already 18 issues strong, and my story 'Night Closures' will feature in either issue 19 or 20.
And finally, I'm delighted to announce that After Sundown, Mark Morris' horror anthology for Flame Tree Press, in which my story 'We All Come Home' appeared, has been shortlisted for the Shirley Jackson Award.
Going back to the stories, though, I wanted to say a few words about acceptance and rejection, because they - or rather one of them, rejection - is a problem for all writers. And I mean all. Literally the day before the first of these acceptances, I had four rejections in one twenty-four period. (Ouch.) When I mentioned this on Facebook, another writer said something along the lines of (humblebrag alert) "What chance do the rest of us have, when someone like you gets rejected?"
To put it in perspective: with 'Night Closures,' I've had eight short fiction acceptances this year. I've not been as good at keeping track of the rejections, but the other day I attempted a rough tally. Counting the one I got this morning, I make it nineteen. So that's an acceptance rate of slightly worse than one in three.
Editors have, usually, a pretty clear idea of what they want and what they don't. A rejection, or even several, don't necessary mean that a story isn't any good. Classic Monsters Unleashed had something like 600 submissions; Maxim Jakubowski's Femmes Fatales anthology about 175. In both cases, the odds against being one of the lucky few to be selected seem very high, but somebody has to be one of them. By the same token, another market I subbed to had around 70 submissions - much lower odds - but I didn't get in. It's partly quality, and it's partly how well whatever you've written matches what the editor wants. Or how similar to something they've already accepted - that can get a perfectly good story bounced as well.
Keeping your work out on submission is key - when it comes back to you, send it somewhere else. Most of the stories I've written this year have been for specific anthology calls: that, like it or not, seems to be where most of the opportunities for publication are right now when it comes to short horror fiction. There are regular general horror fiction markets (like Phantasmagoria above), but not as many as we'd all like.
Some markets pay professional rates that'll net you a couple of hundred pounds for a story (give or take.) Others will give you a fiver. In some cases, you'll just get a contributor copy or the satisfaction of seeing your work in print - or alternatively you could self-publish the story on Patreon or as an ebook or sock it into that collection you're trying to put together.
My own feeling - having held too many stories back in search of a higher-paying market so that they just languish on my hard drive - is the story is better off out there in the world where people can read it. The more work you have out there to be read - which will hopefully encourage people to read more of your stuff - the better. The story of mine that'll be appearing in Best Horror of the Year #13 got multiply rejected, and was finally published on my Patreon.
So, here's the approach that's been working for me so far this year. It may stop working at any moment, as conditions change again. It may not work for you. On the other hand, it might. Either way, if you're trying to work out how to get your work out there, this might be of help:
A few resources:
General paying horror fiction markets include The Dark, Apex Magazine, F&SF, Phantasmagoria and The Deadlands. For other stuff:
The Submission Grinder and The Horror Tree are both excellent and giving an overview of who's looking for fiction in this area. Another great resource is this Facebook page here. In addition, the superb Gwendolyn Kiste (Read her! Read her!) does a monthly round-up of open submission calls on her blog, while Hailey Piper regularly signal boosts calls via her Twitter (and you might also want to subscribe to her mailing list. Also, read her novella The Worm And His Kings - it's magnificent.)
I'm going to try and start following their example and update the blog regularly with any info on markets that comes my way. So if you know of a good one - an open call, a new magazine - don't keep it to yourself. Let me know and I'll share it here.
Because if there is one thing I've learned over the last couple of months, it's how much kindness and community there is in horror. And how the more we help each other out, share information and support one another, the better off we'll all be.
ETA: It's now 20 rejections (I think.) Just had another one. :)