Here's the full table of contents:
Author and Scriptwriter
Thursday, 29 July 2021
Friday, 23 July 2021
Firstly, Part Two of my interview at The Tiny Bookcase is now up, and you can amuse yourselves listening to further witterings from me, including my attempt at a Northern Irish accent, favourite quotes about writing, and what little advice I can give to those just starting out. (Because I'm such a great advert for being enormously successful.)
Secondly, I'm delighted to announce that my novel Black Mountain has found a new home!
Black Mountain was first published as an ebook serial by Spectral Press in 2014. It's been unavailable for several years, but Mynydd Du, the strange and terrible mountain at the centre of the Bala Triangle, will finally rise again in a new revised edition from Italy's Independent Legions Publishing. It's been a long road, but I'm over the moon.
The new edition will be published in both print and ebook form, which will be the first time the novel has appeared in print.
Immense gratitude to Independent Legions' Alessandro Manzetti.
More news to follow soon.
Have a great weekend, everyone!
Friday, 16 July 2021
Latest News from Castle Bestwick: Post-op treatments, Devils Of London Cover Reveal and The Tiny Bookcase Podcast...
Many thanks to all the wonderful people - both before the last blogpost and since - to send messages of support to Cate. She's now almost completely recovered from her surgery. This week we've found out about the post-op treatment: four chemotherapy sessions, followed by radiotherapy and then brachiotherapy. We'd initially expected the treatment would only involve radiotherapy, or as an outside possibly chemo instead. It does mean it's going to be more physically gruelling than originally hoped, which among other things has meant we've had to cancelled our planned holiday in October. Fortunately the venue, where we've stayed before, has very kindly returned our deposit.
Cate was more than a little shaken by the news - we both were - but with any luck, at least, it'll make sure that any traces of the cancer will be destroyed and things will be back to (ab)normal sooner rather than later.
In other news, and on a happier note, the ebook of Devils Of London, my upcoming novella from Hersham Horror, is now available for pre-order, courtesy of that fine gentleman Mr Peter Mark May. Which means Neil Williams' fantastic cover art can now at last be revealed! As you can probably guess from the cover, Devils Of London is a far less gentle tale than my last two novellas, Roth-Steyr and A Different Kind Of Light.
"Devils wear many faces.
Britain, in the not too distant future. A new Great Fire Of London breaks out, engulfing the city. Amid the terror and confusion, people look for someone to blame. John is one of a group of undocumented workers, living in a derelict part of the city, who find themselves being scapegoated for the disaster.
Being chased through the burning streets by the vicious ‘yellow-scarves’ is bad enough. But when they pass a burning church, a terrifying figure bursts out of the building. Something ancient and monstrous, free at last after centuries of sleep. And for John and the others, the question may now be which of London’s monsters – human or demonic – gets to claim their souls…"
Devils Of London will be published on 24th September.
Meanwhile, I did an interview earlier this month for The Tiny Bookcase Podcast and its hilarious hosts Ben and Nico. You can hear me talk bollocks - including the phrase 'Ash Bukkake' - at length here. In addition, each of us wrote a short piece of prose inspired by the title 'Under The Crust,' all with different and entertaining results. You can listen to me read my contribution on the podcast, or if you'd rather read it you can do so over on my Patreon.
Nico also creates a cartoon drawing of each guest, and I rather like the one he's done of me. It's got more hair for a start...
Anyway, that's the state of play at Castle Bestwick for now. See you again soon, and take care. Thanks, once more, to everyone who's sent kind words or other messages or gestures of support to us.
Friday, 2 July 2021
Well, it's been a while, and for good reason. As some of you will know - those who follow me on Facebook - Cate underwent surgery earlier this month, having been diagnosed with womb cancer in April. Luckily it was diagnosed at an early stage, and Cate's recovering well, I'm glad to say. I'm squeezing in bits of writing (including this) in between the demands of my new life as her personal butler. There are worse fates. :)
Many thanks to all the friends and family who sent kind messages of support, advice, hugs, or books over the past few difficult months. We're hoping the worst is past.
On a brighter note, I've been able to carry on not only writing but submitting, and June's seen a total of three story acceptances.
The first one is for James Aquilone's Classic Monsters Unleashed, in which my story 'Mummy Calls' will appear alongside works by Ramsey Campbell, Mercedes M. Yardley, F. Paul Wilson, Joe R. Lansdale, Seanan McGuire, Lucy A. Snyder, Richard Christian Matheson, Lisa Morton, Monique Snyman, Owl Goingback, Gary A. Braunbeck, Rena Mason, John Palisano, Maurice Broaddus, Linda Addison, Tim Waggoner, Jonathan Maberry, Alessandro Manzetti, Dacre Stoker & Leverett Butts, and more.
The list of authors above was announced before the call for unsolicited submissions, which will take up about 25% of the anthology, so there was a lot of competition for those slots. I'm enormously proud to have made the cut.
Classic Monsters Unleashed, featuring new riffs and takes on archetypal horrors such as Dracula, The Wolfman, Dr Moreau, Frankenstein, Jekyll and Hyde and M.R. James' Count Magnus, will be released by Crystal Lake Publishing in October.Bone Street Blues,' which is currently free over on my Patreon. The anthology also features stories by Gary Couzens, Allen Ashley, Caitlin Marceau, Susan York and many more.
My third acceptance is for Phantasmagoria, one of those rare and wonderful beasts, a regular, non-themed horror magazine and edited by the steady hand of Trevor Kennedy. Phantasmagoria is already 18 issues strong, and my story 'Night Closures' will feature in either issue 19 or 20.
And finally, I'm delighted to announce that After Sundown, Mark Morris' horror anthology for Flame Tree Press, in which my story 'We All Come Home' appeared, has been shortlisted for the Shirley Jackson Award.
Going back to the stories, though, I wanted to say a few words about acceptance and rejection, because they - or rather one of them, rejection - is a problem for all writers. And I mean all. Literally the day before the first of these acceptances, I had four rejections in one twenty-four period. (Ouch.) When I mentioned this on Facebook, another writer said something along the lines of (humblebrag alert) "What chance do the rest of us have, when someone like you gets rejected?"
To put it in perspective: with 'Night Closures,' I've had eight short fiction acceptances this year. I've not been as good at keeping track of the rejections, but the other day I attempted a rough tally. Counting the one I got this morning, I make it nineteen. So that's an acceptance rate of slightly worse than one in three.
Editors have, usually, a pretty clear idea of what they want and what they don't. A rejection, or even several, don't necessary mean that a story isn't any good. Classic Monsters Unleashed had something like 600 submissions; Maxim Jakubowski's Femmes Fatales anthology about 175. In both cases, the odds against being one of the lucky few to be selected seem very high, but somebody has to be one of them. By the same token, another market I subbed to had around 70 submissions - much lower odds - but I didn't get in. It's partly quality, and it's partly how well whatever you've written matches what the editor wants. Or how similar to something they've already accepted - that can get a perfectly good story bounced as well.
Keeping your work out on submission is key - when it comes back to you, send it somewhere else. Most of the stories I've written this year have been for specific anthology calls: that, like it or not, seems to be where most of the opportunities for publication are right now when it comes to short horror fiction. There are regular general horror fiction markets (like Phantasmagoria above), but not as many as we'd all like.
Some markets pay professional rates that'll net you a couple of hundred pounds for a story (give or take.) Others will give you a fiver. In some cases, you'll just get a contributor copy or the satisfaction of seeing your work in print - or alternatively you could self-publish the story on Patreon or as an ebook or sock it into that collection you're trying to put together.
My own feeling - having held too many stories back in search of a higher-paying market so that they just languish on my hard drive - is the story is better off out there in the world where people can read it. The more work you have out there to be read - which will hopefully encourage people to read more of your stuff - the better. The story of mine that'll be appearing in Best Horror of the Year #13 got multiply rejected, and was finally published on my Patreon.
So, here's the approach that's been working for me so far this year. It may stop working at any moment, as conditions change again. It may not work for you. On the other hand, it might. Either way, if you're trying to work out how to get your work out there, this might be of help:
A few resources:
General paying horror fiction markets include The Dark, Apex Magazine, F&SF, Phantasmagoria and The Deadlands. For other stuff:
The Submission Grinder and The Horror Tree are both excellent and giving an overview of who's looking for fiction in this area. Another great resource is this Facebook page here. In addition, the superb Gwendolyn Kiste (Read her! Read her!) does a monthly round-up of open submission calls on her blog, while Hailey Piper regularly signal boosts calls via her Twitter (and you might also want to subscribe to her mailing list. Also, read her novella The Worm And His Kings - it's magnificent.)
I'm going to try and start following their example and update the blog regularly with any info on markets that comes my way. So if you know of a good one - an open call, a new magazine - don't keep it to yourself. Let me know and I'll share it here.
Because if there is one thing I've learned over the last couple of months, it's how much kindness and community there is in horror. And how the more we help each other out, share information and support one another, the better off we'll all be.
ETA: It's now 20 rejections (I think.) Just had another one. :)
Monday, 17 May 2021
It's been... eventful since I last blogged. Not all of it is stuff I can talk about publicly right now, and not all of it's good. Things should be okay in the long run, but there have been some tough times.
However, there've also been some good things, so I wanted to talk about those here.
First of all, there've been more reviews for A Different Kind Of Light, and they've been excellent ones. At The Future Fire, Rachel Verkade says:
I loved this book. I read it in the space of a couple of hours because I literally could not put it down. The story is compelling and moves at a swift and natural pace, the characters are compelling, and the descriptions of the disaster are haunting. It is a thematic cousin to stories like Revival and Hell House, stories about our fascination with death and our questions about what lies beyond… and whether we really want those questions to be answered.
While over on Horrified, Ally Wilkes describes the novella as:
A delightfully short and scary little book... makes for compulsive reading. I found myself extremely creeped out as the daylight slipped away and the shadows on the hallway stairs became more prominent.... genuinely dread-inducing.
Many thanks to both reviewers!
I've been focusing on short fiction over the past couple of months, and one of the markets I submitted to was Maxim Jakubowski's Book Of Femmes Fatales And Dangerous Women Stories. I didn't think I stood a chance, but was delighted to learn yesterday that my story 'Bait' has been chosen for the anthology - one of 18 stories out of 170 submissions, which is pretty cool! Also sharing the TOC are Eric Brown, Susi Holliday, Keith Brooke, Joseph S. Walker, Robert Lopresti, Michael A.Gonzales, Lavie Tidhar, Rhys Hughes, Ali Seay, Ashley Lister, Bernie Crosthwaite, Rose Biggin, O'Neil De Noux, Bev Vincent, Alvaro Zinos-Amaro, Claude Lalumiere and Ana Teresa Pereira.
Some of these are writers I've read or worked with before, while others are new to me, but I look forward to appearing in print with them.
So those are the latest developments. I'll try and blog again soon.
One last request before I go: if you've read my work and enjoyed it, please consider leaving a review (even a few words will do) or rating at Amazon for any works you've liked. The more reviews it gets, the more visible it becomes to other customers, and the wider an audience it reaches.
Friday, 2 April 2021
Things Of The Week 2nd April 2021: Best Horror Of The Year #13, Nine Ghosts Launch Video, Out Of The Darkness, Body Shocks Advance Review
Anything like that is always great news, but this was particularly great for two reasons: firstly because it'll mark the first time I've appeared in Best Horror of the Year for two years running - it only seems like last week that I received my contributor's copy of Best Horror of the Year #12, the incredibly cool Reiko Murakami of which is pictured on the left - and secondly because 'A Treat For Your Last Day' was first published on my Patreon page.
I've had a Patreon account for a couple of years now, and my biggest challenge has been making it both something I can sustain and something that's worth looking at. I'll talk a bit more about my Patreon in another post some time. For now, I'll just say that I post new work there every fortnight and that you can read it for as little as a dollar a month. So there we go.
In other news, the Kickstarter for Unsung Stories' Out Of The Darkness anthology still has five days to run, although it's already massively outstripped its original target of £2500. I'm one of a host of authors - including Laura Mauro, Aliya Whiteley, Georgina Bruce, Gary Budden, Tim Major - who've contributed horror and dark fantasy fiction inspired by the theme of mental illness. All author fees and royalties will be donated to Together For Mental Wellbeing.
Ginger Nuts Of Horror has been hosting a series of articles in which the anthology's contributors talk about their own inspirations and experiences. Contributors Aliya Whiteley, Tim Major and Anna Vaught disucss their stories here; Alison Moore, Verity Holloway and Eugen Bacon talk about theirs here, and you can find Sam Thompson, Richard V Hirst and myself on our own contributions here.
The first advance review of another Ellen Datlow anthology, Body Shocks - which includes my story 'Welcome To Mengele's' - is now up at HellNotes, and seems to be a rave. Hopefully the first of many for this book.
See! A fat beardy man wittering on!
Hear! The two lucky winners of free copies of the book!
And tremble! At readings of two of the stories from the collection, 'The Cage' and 'Dab and Sole.'
If you missed (or if you didn't, and for some insane reason actually want to put yourself through that again,) here it is.
Have a good weekend, folks.
Monday, 22 March 2021
It's called Nine Ghosts.
There are nine stories.
There are nine ghosts.
Two of the stories have never been published before.
Two others have only appeared on my Patreton.
You can find more details here.
I meant to do a live launch on Facebook, as I did for A Different Kind Of Light. Unfortunately Facebook has currently blocked me from livestreaming. I have no idea why.
Luckily I can livestream through my YouTube channel. So that's what I'll be doing at 7.00 pm GMT on Friday 26th March.
There'll be a live reading, a Q&A and a chance to win a couple of copies.
So be there or be square.
The nine ghosts await you.
(PS: I've invited as many people to the event via Facebook as I can, but I was only able to send a limited number of invites. So do please spread the word if you possibly can, or if you know anyone you think might enjoy this.)