Author and Scriptwriter

'Among the most important writers of contemporary British horror.' -Ramsey Campbell
Showing posts with label ramsey campbell. Show all posts
Showing posts with label ramsey campbell. Show all posts

Thursday, 31 March 2022

A Conversation with Ramsey Campbell, and a new review of Black Mountain at Horrified!



Over at Horrified Magazine, Ally Wilkes reviews Black Mountain, rating it as: 

"Unquestionably a must-read. It felt like diving into the best and most compulsive creepypasta, or the weird world of Missing 411 and disappearances in the wilderness: full of questionable narrators, conflicting explanations, and the unspooling realisation that whatever haunts the Bala Triangle has been doing so at least as far back as recorded history. 

...A propulsive narrative and a compulsive read... Bestwick is to be applauded for creating a pitch-perfect creepypasta in book form, full of unsettling incidents and genuinely scary scenes of folk – and cosmic – terror."

Along the way, there are comparisons to Mark Z. Danielewski's House Of Leaves, Matt Weselowski's Six Stories novels, and (deep breath) ARTHUR MACHEN

That's Arthur Machen, as in The White People, and The Great God Pan.

I could not be more delighted.

In other news, Tuesday saw the paperback launch of The Way of the Worm, the stunning conclusion to Ramsey Campbell's trilogy The Three Births of Daoloth. Ramsey's a marvellous raconteur, with a wealth of insights and anecdotes; he needs very little encouragement to share them, but somebody had to provide that, and it turned out to be me!

The event was held at Blackwell's Bookshop in Liverpool, and was followed up by a very nice (and very large) Chinese meal at Mr Chili's, a brilliant Sichuan restaurant that you really should pay a visit to if you're ever in town. Phil, the excellent store manager at Blackwell's (ably assisted by James Lefebure) livestreamed the event to Facebook, and you can watch it here if you're so inclined.

More exciting news soon!

Monday, 7 March 2022

An Evening with Ramsey Campbell (with burblings from Bestwick)

The paperback of Ramsey Campbell's novel The Way of the Worm will be launched this month at Blackwell's Bookshop in Liverpool. I'll be interviewing the big man (or burbling meaninglessly; anyway, I'll be there), so why not come along? Tickets are available here
The time: Tuesday 29th March, 2022, 6.00 - 7.30pm.
The place: Blackwell's Bookshop, Peach Street, Liverpool, L3 5UH

"Join us on the 29th March when the legendary Horror writer Ramsey Campbell will be in conversation with Simon Bestwick
About the Author:
Ramsey Campbell is an English horror fiction writer, editor and critic who has been writing for well over fifty years. Three of his novels have been filmed.
In 2021 appreciation of his collected works, The Washington Post said, " taken together, they constitute one of the monumental accomplishments of popular fiction". Three of his novels have been filmed.
Since he first came to prominence in the mid-1960s, critics have cited Campbell as one of the leading writers in his field: T. E. D. Klein has written that "Campbell reigns supreme in the field today", and Robert Hadji has described him as "perhaps the finest living exponent of the British weird fiction tradition", while S. T. Joshi stated, "future generations will regard him as the leading horror writer of our generation, every bit the equal of Lovecraft or Blackwood."

About the book:
Book 3 in the Three Births of Daoloth trilogy.The present day, or something very like it. Dominic Sheldrake has retired from lecturing and lives on his own. His son Toby is married with a small daughter. The occultist Noble family are more active than ever. Their cult now openly operates as the Church of the Eternal Three, and has spread worldwide. The local branch occupies the top floors of Starview Tower, a Liverpool waterfront skyscraper. To Dominic's dismay, Toby and his wife Claudine are deeply involved in it, and he suspects they are involving their small daughter Macy too.
Dominic lets his son persuade him to attend a meeting of the church, where he encounters all three generations of the Nobles. Although Christian Noble is almost a century old, he's more vigorous than ever - inhumanly so. The family takes turns to preach an apocalyptic sermon that hints at dark secrets masked by the Bible and at the future that lies in wait. In a bid to investigate further Dominic undergoes the rite the church offers its members, which confers the ability to travel psychically through time. Before he's able to flee back to the present he has a vision of the monstrous fate that's in store for the world.

Dominic discovers a secret he's sure the Nobles won't want to be made public. Although he has retired from the police, Jim helps him establish the truth, and Roberta publishes it on her online blog. It's the subject of a court case, the results of which seem to defeat the Nobles, only for them to return in a dreadfully transformed shape. Now Dominic and his friends are at their mercy, and is there anywhere in the world to hide? Even if they manage somehow to deal with the Nobles, there may be no escaping or preventing the alien apocalypse that all the events of the trilogy have been bringing ever closer..."  
In keeping with the Lovecraftian theme, I only learned today that there's an Iron Maiden song inspired by Ramsey's story 'The Inhabitant of the Lake.' I'm just listening to it now - so why don't you as well?

 

Saturday, 5 December 2020

Winter Tales is now live!

Joseph Freeman's seasonal ghost story extravaganza, Winter Tales, is now live on his YouTube channel. It features readings by Ramsey Campbell, Joe himself, Benjamin Langley, Mark Morris and your humble servant.

Ramsey Campbell: Excerpt from The Wise Friend.

Benjamin Langley: 'The Hands That Do The Devil's Work.'

Joseph Freeman: 'The Waiting Room.'

Mark Morris: 'A Girl, Sitting.'

Simon Bestwick: 'In The Shelter.'

Go treat yourself now (or wait until it's dark!) And why not make Joe's day while you're there, and subscribe to his channel?


 



    

Friday, 20 November 2020

Things Of The Week: Winter Tales, The First Roth-Steyr Reviews, breaking 150k and more...


Nearly three weeks since the last blog post, and things are looking up, at least for the US, who are (fingers crossed) getting rid of their current National Embarrassment. Here in the UK, sadly, ours remains firmly behind the wheel...

Still, there have been Things, and not all of them bad. At least here at Castle Bestwick.

One of them has been the appearance of the first two reviews for Roth-Steyr. The first, by Thomas Joyce over at This Is Horror, who says:

"Bestwick’s exploration of his heroine’s complicated past and conflicted feelings about duty and love is brilliant. From the first mention of her brother and what happened on that frozen lake when they were children, we are immediately invested in their relationship, such intriguing characters they make. Valerie’s reminisces of her former comrades, especially Tibor, are also very touching. The recollections of past battles and confrontations with the Black Eagles, especially the scene in a war-torn Berlin, are very well done. And the scene at the Gate, complete with sinister doctor Sindelar and his dark and mysterious 'assistants' adds just a hint of cosmic horror."

The second review comes from Matt at Runalong The Shelves, and is another very positive one:

"The tale feels like a slow-motion car crash that Valerie has to desperately get out of the way of and this makes the reading compulsive. A dark tale but also one with a key message on those who love the fight above all else.

I really enjoyed this novella. It took me back in time and made me think about where we may now be heading. Bestwick delivers a fascinating lead character who over the tale we get to know quite intimately and fully behind a battle for survival. Well worth your time!"   

Many grateful thanks to both Thomas and Matt for their reviews. 

This year has been a productive one, at least in terms of work completed. In February I finished the first draft of the novel I began in the last quarter of 2019; since then I've redrafted it and sent it out to agents, completed the first draft of another book and am currently in sight (I think) of the ending on a third. Whether any of them are any good, or find a home, remains to be seen; right now I'm finding a lot of pleasure and fulfilment in the process of writing. The weird thing is that the rule 'less is more' really seems to hold with me, as far as word count's concerned; committing to a much shorter daily than was the case for years has actually enabled me to write more, as well as (I hope) better. The current WIP cracked the 150,000 word mark last week; with luck it'll be finished before the end of the year, and something new begun.

Finally, I'm involved in something really cool, that's coming up early next month.

The Christmas season is on its way, and - as Lynda E. Rucker's ever-excellent column over in this issue of Black Static reminds us - is the perfect time for the tale of terror. My old friend Joe Freeman decided to put together an online ghost-story reading called Winter Tales, including such authors as Ramsey Campbell and Mark Morris. Benjamin Langley, another of the authors, I'm less familiar with, but I'm looking forward to acquainting myself with his work. Joe also invited me to participate, and there I am, reading my tale In The Shelter, taken from the new Horrific Tales edition of And Cannot Come Again.

Winter Tales will be available to watch from Saturday 5th December at 1pm Greenwich Mean Time, on Joe's YouTube Channel. Here's a trailer for the event:


 


Friday, 26 July 2019

Wolf's Hill and Breakwater nominated for British Fantasy Awards

The shortlists for the British Fantasy Awards were announced on Tuesday, and I'm stunned to have made the running for not one, but two awards.

Wolf's Hill has been shortlisted for the August Derleth Award for Best Horror Novel, alongside Little Eve by Catriona Ward, The Cabin At The End of The World by Paul Tremblay and The Way of The Worm by Ramsey Campbell.

To be sharing a shortlist with those three authors, those three novels, to be included in the same category, feels like an award in itself. I'd be happy to lose to any of them.

It's also particularly poignant because the Black Road novels mean a lot to me, and there've been times when I wonder if anyone's even reading them. In guess some people are, and enjoying them too.

Breakwater, meanwhile, has been shortlisted for Best Novella, alongside 'Binti: The Night Masquerade' by Nnedi Okorafor, 'The Land Of Somewhere Safe' by Hal Duncan, 'The Last Temptation Of Dr Valentine' by John Llewellyn Probert, 'The Only Harmless Great Thing' by Brooke Bolander and 'The Tea Master And The Detective' by Aliette de Bodard. Again, a storming list of names.

The winners will be announced at FantasyCon in Glasgow on 20th October.

Here are the BFA nominations in full:

Best Fantasy Novel (the Robert Holdstock Award)
The Bitter Twins, by Jen Williams (Headline)
Empire of Sand, by Tasha Suri (Orbit)
Foundryside, by Robert Jackson Bennett (Jo Fletcher Books)
The Green Man’s Heir, by Juliet E McKenna (Wizard’s Tower Press)
The Loosening Skin, by Aliya Whiteley (Unsung Stories)
Priest of Bones, by Peter McLean (Jo Fletcher Books)
Best Horror Novel (the August Derleth Award)
The Cabin at the End of the World, by Paul Tremblay (Titan Books)
Little Eve, by Catriona Ward (W&N)
The Way of the Worm, by Ramsey Campbell (PS Publishing)
Wolf’s Hill, by Simon Bestwick (Snowbooks)
Best Newcomer (the Sydney J Bounds Award)
Tomi Adeyemi, for The Children of Blood and Bone (Macmillan Children’s Books)
Cameron Johnston, for The Traitor God (Angry Robot)
RF Kuang, for The Poppy War (HarperVoyager)
Tasha Suri, for Empire of Sand (Orbit)
Marian Womack, for Lost Objects (Luna Press Publishing)
Micah Yongo, for Lost Gods (Angry Robot)
Best Novella
Binti: The Night Masquerade, by Nnedi Okorafor (Tor.com)
Breakwater, by Simon Bestwick (Tor Books)
The Land of Somewhere Safe, by Hal Duncan (NewCon Press)
The Last Temptation of Dr Valentine, by John Llewellyn Probert (Black Shuck Books)
The Only Harmless Great Thing, by Brooke Bolander (Tor.com)
The Tea Master and the Detective, by Aliette de Bodard (Subterranean Press)
Best Short Fiction 
Down Where Sound Comes Blunt, by GV Anderson (F&SF March/April 2018)
Her Blood the Apples, Her Bones the Trees, by Georgina Bruce (The Silent Garden: A Journal of Esoteric Fabulism)
In the Gallery of Silent Screams, by Carole Johnstone & Chris Kelso (Black Static #65)
A Son of the Sea, by Priya Sharma (All the Fabulous Beasts)
Telling Stories, by Ruth EJ Booth (The Dark #43)
Thumbsucker, by Robert Shearman (New Fears 2)
Best Anthology
The Devil and the Deep: Horror Stories of the Sea, ed. Ellen Datlow (Night Shade Books)
Humanagerie, ed. Sarah Doyle & Allen Ashley (Eibonvale Press)
New Fears 2, ed. Mark Morris (Titan Books)
This Dreaming Isle, ed. Dan Coxon (Unsung Stories)
Year’s Best Weird Fiction, Vol. 5, ed. Robert Shearman & Michael Kelly (Undertow Publications)
Best Collection
All the Fabulous Beasts, by Priya Sharma (Undertow Publications)
The Future is Blue, by Catherynne M Valente (Subterranean Press)
How Long ‘til Black Future Month?, by NK Jemisin (Orbit)
Lost Objects, by Marian Womack (Luna Press Publishing)
Octoberland, by Thana Niveau (PS Publishing)
Resonance & Revolt, by Rosanne Rabinowitz (Eibonvale Press)
Best Non-Fiction
The Evolution of African Fantasy and Science Fiction, ed. Francesca T Barbini (Luna Press Publishing)
The Full Lid, by Alasdair Stuart (alasdairstuart.com/the-full-lid)
Ginger Nuts of Horror (www.gingernutsofhorror.com)
Les Vampires, by Tim Major (PS Publishing)
Noise and Sparks, by Ruth EJ Booth (Shoreline of Infinity)
Best Independent Press
Fox Spirit Books
Luna Press Publishing
NewCon Press
Unsung Stories
Best Magazine / Periodical
Black Static
Gingernuts of Horror
Interzone
Shoreline of Infinity
Uncanny Magazine
Best Audio
Bedtime Stories for the End of the World (endoftheworldpodcast.com)
Blood on Satan’s Claw, by Mark Morris (Bafflegab)
Breaking the Glass Slipper (www.breakingtheglassslipper.com)
PodCastle (podcastle.org)
PsuedoPod (pseudopod.org)
Best Comic / Graphic Novel
100 Demon Dialogues, by Lucy Bellwood (Toonhound Studios)
B.P.R.D. Hell on Earth, Vol. 1, by Mike Mignola, John Arcudi, Guy Davis, Tyler Crook & Dave Stewart (Dark Horse)
Hellboy: The Complete Short Stories, Vol. 1, by Mike Mignola and others (Dark Horse)
The Prisoner, by Robert S Malan & John Cockshaw (Luna Press Publishing)
Saga #49-54, by Brian K Vaughan & Fiona Staples (Image Comics)
Widdershins, Vol. 7, by Kate Ashwin
Best Artist
Vince Haig
David Rix
Daniele Serra
Sophie E Tallis
Best Film / Television Production
Annihilation, Alex Garland
Avengers: Infinity War, Christopher Markus & Stephen McFeely
Black Panther, Ryan Coogler & Joe Robert Cole
The Haunting of Hill House, Mike Flanagan
Inside No. 9, series 4, Steve Pemberton & Reece Shearsmith
Spider-Man: Into the Spider-Verse, Phil Lord & Rodney Rothman
Congratulations to my fellow nominees!

Monday, 27 May 2019

Nearing The Halfway Point

Current mood.
We're almost at the end of May (both the month and the Prime Minister.) Not halfway through the
year yet, but getting there. So, not a bad time to take stock of where things are.

Healthwise, it's not been the best year. I spent the first couple of months of it virtually bedbound with agonising knee pain (and with codeine medication for it leaving me wiped out half the time and with my sleeping patterns completely banjaxed), and been off work with anxiety for the last week. As a result, I've piled on a lot of the weight I lost last year. Next month, I'm heading back to Slimming World, where I'll start to put the damage right.

Not been a great year story submissions wise either - in fact, I haven't had a single acceptance all year, with stories I was very pleased with repeatedly knocked back. But that has had the effect of making me reflect on what I write and why, and made me determined to strive for excellence in my work. The last couple of years have also reminded me, very strongly, that I do what I do because I love it. And if I don't love what I'm doing, I shouldn't be doing it.


I hit a crisis point last year, where I realised I'd lost all sense of direction in terms of novel writing - the old, perennial trouble of trying to write what I thought was popular instead of what I needed to write. Two things helped me resolve it. One was realising that the projects of mine my agent was the most excited about were the ones I'd written out of sheer love and passion - the ones I'd thought no-one would be interested in. The second was asking myself one very simple question:

"If you could only write one more novel, what would it be?"

As it turned out, the answer was the novel that I'd been writing - but very differently from how I planned it. What was to have been a bog-standard psychological thriller became something else - a ghost story, a love story, a horror story... it's very rough at the moment (and not even fully typed up from Dictaphone notes) but it's something different.

I've written two novellas this year, as well, while also working on The Song Of The Sibyl, the huge
quarter-million word epic. There has been a shedload of work to do on that (two novels' worth, effectively!) but it's close to being finished and sent off to The Agent.

In addition, my Patreon is running and bringing in a stream (well, trickle) of income, featuring the ongoing serial The Harrowing.

One thing I was determined to do in 2019 was to write a screenplay; I've been working on something, a little bit of a time, in between work on the novel; slow going, but it's taking shape.

So, a lot of work, that will hopefully pay off in the future.

But there are also good things happening this year.

The big one, of course, is And Cannot Come Again, due out from ChiZine Press soon, complete with an Introduction by Ramsey
Campbell and blurbs from Angela Slatter, Reggie Oliver, Gemma Files and many, many more. The paperback will be released on the 11th July; if you can't wait that long, the ebook version will be available from the 18th June.

July will also see the release of A Love Like Blood, consisting of my novelettes Fitton's Ghost and Burns The Witchfire, Upon The Hill. It'll be launched at Edge-Lit in July - and who knows, there may be some copies of And Cannot Come Again available too.

Another good thing happened a couple of weeks ago, when Ellen Datlow's anthology The Devil And The Deep, featuring my story 'Deadwater', won the Bram Stoker Award for Superior Achievement in an Anthology. Congratulations to Ellen and the other contributors!

Well, that's all the news that's fit to print so far. Now on with the rest of the year.

Friday, 26 October 2018

Shock Against Racism

This one's a bit political. (I know: me, political? Who would have thought...)

There is a real and rising tide of far-right and racist activity in the UK (and in Europe. And in the US. And, let's be frank, damn near everywhere we look.) This is a Bad Thing.

The UK genre community is, on the whole, a fine and welcoming place, one that opposes the politics of division, prejudice and hatred. Certain people have tried to portray it as being otherwise: at best they're mistaken, at worst, liars.

But actions, not words, are needed. Hence: Shock Against Racism.

SAR is a network of horror writers, artists and fans against racism and the far right. Our goal is to raise funding to combat the Right's lies and hatemongering, any way we can.

Two Shock Against Racism events are planned for this year: the first event will take place at Write Blend, 124 South Road, Liverpool L22 0ND at 7.30 pm on Friday 23rd November, and will feature readings by Ramsey Campbell, Priya Sharma, Cate Gardner and myself. Tickets £3.00 on the door, and all proceeds donated to Hope Not Hate.

The second event will take place at the Cowley Club, 12 London Road, Brighton BN1 4JA at 7.30 pm on Sunday 25th November, and will include readings by Tom Johnstone, Rosanne Rabinowitz and V.H. Leslie. Tickets £3.00 on the door, with all proceeds donated to Brighton Anti-Fascists.

As well as the need to take action against the far right and to show where our community really stand, there's another reason I decided to start SAR. The 25th November will mark the fifth anniversary of the death of Joel Lane, an exemplary author and friend to many of us in the community. Joel was avowedly political and a committed anti-fascist: I can think of no better way to honour his memory.

The Facebook page for the Liverpool event is here.

The Facebook page for the Brighton event is here.

The main Shock Against Racism Facebook page is here.

We hope you'll join us and help spread the word.

Wednesday, 3 October 2018

The Best Of The Best Horror Of The Year (ed. Ellen Datlow)

Since Ellen Datlow began editing The Best Horror Of The Year, I've had three stories published in the series.
Today, I'm delighted to announce that one of those stories, 'The Moraine', has been selected, from all the tales published in the first ten volumes of the series, for
The Best Of The Best Horror Of The Year.

I am incredibly proud to be included, alongside authors such as Neil Gaiman, Ramsey Campbell, Livia Llewellyn, Nathan Ballingrud, Gemma Files, Adam Nevill, Peter Straub and Tanith Lee (to name but a few.)

You can buy the anthology here.

Once again, my thanks to Ellen, and congratulations to all my fellow contributors.














The stories:

Lowland Sea—Suzy McKee Charnas
Wingless Beasts—Lucy Taylor
The Nimble Men—Glen Hirshberg
Little America—Dan Chaon
Black and White Sky—Tanith Lee
The Monster Makers—Steve Rasnic Tem
Chapter Six—Stephen Graham Jones
In a Cavern, in a Canyon—Laird Barron
Allochthon—Livia Llewellyn
Shepherds’ Business—Stephen Gallagher
Down to a Sunless Sea—Neil Gaiman
The Man from the Peak—Adam Golaski
In Paris, In the Mouth of Kronos—John Langan
The Moraine—Simon Bestwick
At the Riding School—Cody Goodfellow
Cargo—E.Michael Lewis
Tender as Teeth—Stephanie Crawford & Duane Swierczynski
Wild Acre—Nathan Ballingrud
The Callers—Ramsey Campbell
This Stagnant Breath of Change—Brian Hodge
Grave Goods—Gemma Files
The Ballad of Ballard and Sandrine—Peter Straub
Majorlena—Jane Jakeman
The Days of Our Lives—Adam L. G. Nevill
You Can Stay All Day—Mira Grant
No Matter Which Way We Turned—Brian Evenson
Nesters—Siobhan Carroll
Better You Believe—Carole Johnstone


Friday, 4 November 2016

Things Of The Week: 4th November 2016

Me, Nightmares, and early morning bed hair
Well, Offline October wasn’t as offline as I intended – social media’s a definite addiction of mine, and one I need to address as it’s been eating into my writing too much. I was worried that I might have writer’s block, but once I unplugged the wireless router (downstairs), fired up the laptop (upstairs) and made myself write I found the prose still came easily enough. So, basically, it was simple laziness.

I’m still not underway on the first draft of Wolf’s Hill, and that needs fixing – I’m hoping to get rolling in the next week or two, and try and finish the first draft, at least, by year’s end. At the moment I’m working on a couple of short stories; once those are gone, it’ll be the book’s turn. The Lowdown will resume next week: meanwhile, here are some things that have been going on.

credit: www.blakefriendmann.co.uk
The first piece of news is a sad one: the sudden and unexpected passing of literary agent Carole Blake. Although I never met Carole personally, many other writers have spoken of her with great warmth and affection in both professional and personal terms. Along with Julian Friedmann, she co-founded the agency that represents me; she also wrote 29 Ways Not To Submit To An Agent, which was handy (although I was relieved to note that I didn’t do most of them anyway) and I know that her book, From Pitch To Publication, was a big help to many writers. My thoughts go to her family and to her friends and colleagues at Blake-Friedmann.

With the run-up to Halloween, it seemed a good time to catch up on horror movies (as per my recent posts. I have a tendency to buy books and DVDs which then sit around for months or even years before I finally get round to watching or reading them, and I caught up with a few titles in October. In the book stakes there was Ramsey Campbell’s The Seven Days Of Cain (great title!)*, while in the realm of movies there were two corkers: Oculus and The Babadook.

Oculus centres around a mirror with demonic properties. By controlling the perceptions of those who own it, it drives them to suicide. Kaylie (Karen Gillan) and her brother Tim (Brenton Thwaites) lost their parents to it, and Tim was incarcerated in a mental institution for years; now, Kaylie has tracked the mirror down and sets out to prove there’s a genuine supernatural force present. The narrative cuts back and forth between the events of their childhood and the present day; if it has a weakness, it’s that this format means the parents’ psychological deterioration feels as though it happens a little too quickly. Cate and I found this seriously unsettling: there are a few jump scares, but that’s not where it’s at.



The Babadook: wow. Amelia (Essie Davis) was widowed in a car crash the night her son Samuel (Noah Wiseman) was born. Now, her son is plagued by nightmares of a monster coming for him, building weapons to fight it; as his behavioural problems place Amelia under ever-increasing strain, she finds a pop-up book called The Babadook, after the shadowy monster it centres on. Soon, the creature from the book begins to invade their lives, and Amelia’s own sanity begins to crumble. Original and very, very disturbing.



We’ve also started watching the new E4/Netflix series Crazyhead, starring Cara Theobald and Susan Wokoma. The trailer looked as though it could be good or terrible; we only needed to watch about five minutes to know we liked it. Amy (Theobald) has just stopped taking anti-psychotic medication to suppress the hallucinations she keeps having. Except that they aren’t hallucinations: she’s one of a tiny number of people who can see those possessed by demons. One of them nearly kills her till she’s rescued by Raquel (Wokoma), another ex-mental patient with the same gift. Crazyhead manages to be both genuinely funny and full of genuine scares, and has real heart, especially in the relationship between the two leads. There’s also a strong supporting cast – Amy’s flatmate and best friend Suzanne (Riann Steele), her amorous work colleague Jake (Lewis Reeves), Raquel’s brother Tyler (Arinze Kene) and head demon Callum (Tony Curran) – plus a willingness to bump off supporting characters that helps ramp up the tension among the humour. Crazyhead’s only downside is that, being a British series, it’s only six episodes. Here’s hoping it gets a second series.



Three really nice things happened this week.

Nice Thing No. 1: My contributor’s copy of Nightmares: A New Decade of Modern Horror arrived. Nightmares has been very well received, with a host of excellent reviews appearing, including a starred review in Publishers’ Weekly. Not many of them mention my own tale, ‘Hushabye’, but I can live with that – I’m happy to be published in that company!
Me with The Feast Of All Souls, plus yet more bed hair.
Ellen Datlow’s latest anthology collates stories from between 2005 and 2015 that have had a ‘lasting impact’ on her. Authors such as Mark Samuels, Laird Barron, Livia Llewellyn, John Langan, Gene Wolfe, Margo Lanagan and many more appear within; I’m proud and delighted to see ‘Hushabye’ included.

Nice Thing No.2: My author copies of The Feast Of All Souls, published next month by Solaris, turned up too. Complete with that beautiful cover art by Ben Baldwin. Please get in touch if you’d like to review the book. Which brings me on to…

Nice Thing No.3: Gill O’Rourke recently started reading my stuff, starting with Tide Of Souls, which she raves about on her blog here. She also co-presents the radio show Lifestyle MK, where she continues the rave-age, and solicits a few words with me on reviews. You can listen to me blather on here. Many thanks, Gill!

So, about that:

One thing I’ve become very aware of recently is the importance of reviews in driving book sales. The algorithms on Amazon (and let’s face it, this is where a lot of people are buying their books now) give you more visibility if you’ve had more reviews. 50 is usually the magic number that means you show up near the top of the search results in your chosen category.

So, if you’ve read my stuff and liked it, please leave a review. Or just leave a review (honest ones are better any day of the week!) I’ve certainly decided to start doing this more with books I’ve read and liked. It’s a simple and direct way to show your appreciate for a writer, and something concrete you can do to help them out.


* ETA: And yes, I'll be writing an Amazon review!

Tuesday, 25 October 2016

A Hazy Shade of Winter and 10 Books For Halloween

With Halloween next week, it's only natural to start casting about for suitable stuff to read and watch. You can't beat a good ghost story - although horror is more than just that, as the list below should prove.

But first, a quick plug:

My first collection, A Hazy Shade Of Winter, was published in a beautiful limited edition by Canada's Ash-Tree Press, was introduced by Joel Lane, and consisted of thirteen short stories and a 20,000 word novella.

And it's a book of ghost stories.

Matthew returns to the house where he spent an idyllic summer with a group of friends, and finds them waiting for him to join them... permanently.

The people of a small village hunt a supernatural intruder - but who are the real monsters?

An innocent walk in unfamiliar surroundings becomes a journey into a nightmare; a stranded tourist faces a bizarre challenge; a harassed employee takes a desperate revenge on her employer; and a secondhand book of ghost stories becomes the instrument of a malevolent, restless spirit....

A Hazy Shade Of Winter is now available as an ebook on Amazon in the US and UK. So if you still can't pick a Halloween read after checking out the list below...

But I have a feeling you will. (Shit, I'm talking myself out of sales here...) So here, in no particular order, are ten books for Halloween. There are a couple of well-known titles here, but I've tried to pick a few that'll be less familiar as well.

1) The Matrix by Jonathan Aycliffe
The only novel on this list. Jonathan Aycliffe is a master at producing book-length ghost stories in the M.R. James vein, but this one, a tale of black magic, may be his best. Andrew Macleod, grieving after the sudden death of his wife, takes an academic job in Edinburgh, where he begins researching occult and esoteric groups there. His researches bring him into contact with Duncan Mylne, a wealthy lawyer and occultist, and into a world of black magic and evil. Finally he discovers the true reason for Mylne's interest in him - but it might be too late. A subtle and deeply creepy novel, the kind that has you looking over your shoulder at every creak of the floorboards if you read it alone at night. Just as good is Aycliffe's first novel, Naomi's Room.

2) Alone With The Horrors by Ramsey Campbell 
There was no way there couldn't be something by Ramsey Campbell on this list; the difficulty was which book. Alone With The Horrors is a great retrospective collection, sampling tales from throughout Campbell's career up to that point (1991), from the Lovecraftian chills of Cold Print through to tales like 'Again', which is still one of his most disturbing tales. It's a fine collection of 39 stories (in the Arkham House or Hodder Headline editions; 37 in the more recent re-release from Tor) to be dipped into at random till you find the tales that suit you best.

3) Craddock by Paul Finch
Paul Finch is now a best-selling crime novelist, but his roots are very much in horror and he has a huge backlist of collections to prove it. Just about any of them are worth grabbing (Stains, Walkers In The Dark, After Shocks and the three Medi-Evil mini-collections were all close contenders for this list) but Craddock (aka Major Craddock Investigates) is my Halloween recommendation. Set in 1860s Wigan, it comprises four novelette or novella-length stories - The Magic Lantern Show, The Coils Unseen, The Weeping In The Witch Hours and Shadows In The Rafters - featuring police detective Jim Craddock, whose investigations have a tendency to bring him up against the supernatural and is both superbly readable and hugely atmospheric.


4) From Hell To Eternity by Thana Niveau 
The debut collection from one of horror's rising stars is by turns lyrical, subtle, erotic and cruel. Stories like 'The Death of Dreams' are rooted in science fiction, while 'Antlers' starts out as a grimly believable account of human viciousness before giving way to a supernatural resolution. In 'Pigs', an illicit affair brings a young couple face to face with a herd of feral porkers, while the title story brings in the most notorious serial killer of them all.

5) The October Country by Ray Bradbury 
If there's a more apt collection for this time of year, I don't know what it is. Rich and lyrical, hugely imaginative, dark and scary, it's a timeless classic, including such tales as 'The Emissary,' 'The Next In Line', 'The Jar', 'Skeleton' and one of my all-time favourites, 'The Scythe.' If you've ever read Ray Bradbury, no further introduction should be necessary. If you haven't - well, here's the perfect place to start.

6) Warning Whispers by A.M. Burrage 
M.R. James may be the undisputed king of the English ghost story, but Alfred McClelland Burrage is one of its unsung heroes. Several of his best-known stories - such as 'The Sweeper' and 'Smee' - appeared under the byline 'Ex-Private X', the name under which Gollancz published Burrage's memoir War Is War, a memoir of his experience in the Artist's Rifles during World War I, which included fighting at Passchendaele. But if you have any of those big fat anthologies of ghost stories you often find in charity shops, there'll almost certainly be at least one Burrage story. This posthumous collection includes a host of inventive and chilling tales, not least the opening story, 'The Acquittal'.

7) Scattered Remains by Paul Pinn 

The late Paul Pinn was a superb writer who deserves to be far more widely remembered, and this, his first collection, is an extraordinary tribute to his skills. Ranging back and forth across the borders of crime, SF, fantasy and horror, his stories burrow into the psyche. 'Handicapped' shows a paranoiac's persecutory fantasties building up to explosion point; the title story depicts a post-apocalyptic world where NBC-suited soldiers battle an unstoppable army of horsemen wearing robes of human skin. The opposite of a pleasing terror.

8) The Moon Will Look Strange by Lynda E. Rucker
Lynda Rucker is brilliant at crafting beautifully-written and subtly unsettling tales, where the world we know... shifts, into something strange and off-kilter. By the time you know what's going on, it's probably too late. Her debut collection is one to savour over time, like a fine whisky. A new one, You'll Know When You Get There, is out now from Swan River Press. Fans of Robert Aickman and Shirley Jackson, take note.

9) Antique Dust by Robert Westall 
Westall wrote one of the great novels for children, The Machine-Gunners, set on Tyneside during the Second World War - not to mention some fine short story collections such as Break Of Dark. This collection, his first for adult readers, centres on antique dealer Geoff Ashden. "I have known more evil in a set of false teeth than in any so-called haunted house in England," he tells us, and he should know: after all, his trade brings him into contact with the past - and the dead - on a daily basis. The whole book is something of a love letter to M.R. James, but is a fantastic collection in its own right.

10) For Those Who Dream Monsters by Anna Taborska 
Anna Taborska doesn't write enough, but when she does it's fierce and uncompromising, with an unflinching eye for the kind of savagery humans can inflict on one another. Stories such as 'Little Pig' - one of the best in the book, a short, harrowing and heart-rending tale - have nothing of the spectral about them, needing only human evil and desperation as their cause, but Taborska is at ease with the supernatural too, as in 'The Creaking'. Other tales, such as 'Buy A Goat For Christmas', show a welcome streak of dark humour. Published by Mortbury Press, the book also boasts an introduction and beautiful illustrations by Reggie Oliver.

Sunday, 11 September 2016

Ramsey Campbell's The Searching Dead: Reviewed by Gary Fry

Ramsey Campbell's new novel, The Searching Dead, is launched at Fantasycon this year by PS Publishing. It's the first book in The Three Births Of Daoloth, a planned trilogy - something of a new departure for Ramsey...

Dominic Sheldrake has never forgotten his childhood in fifties Liverpool or the talk an old boy of his grammar school gave about the First World War. When his history teacher took the class on a field trip to France it promised to be an adventure, not the first of a series of glimpses of what lay in wait for the world. Soon Dominic would learn that a neighbour was involved in practices far older and darker than spiritualism, and stumble on a secret journal that hinted at the occult nature of the universe. How could he and his friends Roberta and Jim stop what was growing under a church in the midst of the results of the blitz? Dominic used to write tales of their exploits, but what they face now could reduce any adult to less than a child...


The novel also marks a return to the 'Brichester Mythos' of Campbell's earliest stories, revisited in more recent works like The Darkest Part Of The Woods and The Last Revelation Of Gla'aki. It promises to be something pretty special, I think.

Gary Fry, certainly thinks so, anyway; he's reviewed it over at his blog, and describes it as: a novel which looks set to become one third of Campbell’s masterpiece: a trilogy about who he is as a man and what he’s always striven to achieve as an author.

You can read the full review here, and order the book there.

Monday, 15 August 2016

Things Of Last Week: 15th August 2016

No things of the week on Friday, for the simple reason that we were having guests around for dinner and the day turned into one long blurred round of cooking and cleaning for yours truly. (Yes, Cate actually has me house-trained. Sort of.)

A few nice things have come along. First up, you can now pre-order both Devil's Highway and The Feast Of All Souls from Amazon. Devil's Highway is released on 17th October (still - despite my handing in the MS three weeks late) and The Feast Of All Souls will be out on 6th December. Two very different novels, both of which I'm very proud of. So go on, do your bit for my flagging self-esteem. Pretty please? I have neither pride nor shame...

Fear Magazine has risen from its grave: issue 37 includes stuff from Ramsey Campbell, Gary McMahon... and me, in 'Paintings,' collaboration with Johnny Mains. You can buy it here.

The first advance reviews for Ellen Datlow's Nightmares: A New Decade Of Modern Horror are out, from Irene Cole: "...the most groundbreaking horror of the new millennium" and The Book Lover's Boudoir: "Datlow offers another impressive, diverse and hugely enjoyable collection of short fiction... a great collection of horror fiction. I’d highly recommend it."


The anthology includes my story 'Hushabye', alongside work by Mark Samuels, Gene Wolfe, Brian Hodge, Kaaron Warren, Lisa Tuttle, Gemma Files, Nicholas Royle, Margo Lanagan, Steve Duffy, Laird Barron, Stephen Graham Jones, Reggie Oliver, Ray Cluley, M. Rickert, John Langan, Anna Taborska, Livia Llewellyn, Dan Chaon, Robert Shearman, Caitlin R. Kiernan, Garth Nix, Nathan Ballingrud and Richard Kadrey.

Speaking of Livia Llewellyn, she's written a great guest column for Nightmare magazine's 'The H Word', The Mountains, The City, The Void:

"The woman who moved to this tenement building ten years ago, a woman with a different job, a different body, a different name, is gone. The actress who lived in a sprawling Inwood block apartment sixteen years ago, who stood on a subway platform in complete silence with ten thousand other New Yorkers, all of us smelling of smoke and ash, has vanished. The seamstress who spent a summer in a small New Jersey town in the early nineties, sewing costumes for Shakespearean actors by day and constructing conjure circles and sex magic rituals in the old growth forests by night has been left far behind in the night, so far I cannot see her anymore. And there are other, older permutations of myself, whole years that are little more than dark smudges in my mind, layers of geologic strata that are now so alien to me that I would not know these women if they were to appear in front of me this second. And all the people who once knew me, friends and relatives and lovers, are gone. No one who knew those versions of myself exists anymore. My life is a Frankensteinian patchwork of lost moments and experiences. The joys, the triumphs, the silences, the assaults, the love, the violence, the shame, the struggles, the pleasures, the pain, the beauty, the monstrosities: the act of working my way through life toward death has erased it all, year by methodical year. I know nothing.

Except when I write."

You can read the whole thing here.

Some years ago, when I was working in a call centre, (shudders) I became friends with Sinead Parker, who left to study Drama at Manchester Met University. She emerged three years later with a degree and a partner in crime called Katie Norris, with whom she started writing and performing songs and sketches that were chock full of black comedy and absolute filth.

Norris and Parker's first show was All Our Friends Are Dead, and was screamingly funny. Their second show, See You At The Gallows, is currently on at the Edinburgh Fringe until 28th August and has been getting a succession of rave reviews, so if you're in the neighbourhood it's worth checking out. And watch out for Norris and Parker, because they are going to be huge.



Thursday, 19 May 2016

Things of the Last Two Weeks (Part One): 19th May 2016

Well, I'm back. Sorry the blog's been a tad quiet, and for the absence of The Lowdown. It returns tomorrow, all being well.

Still, there's a pretty good excuse for the long hush: Cate and I finally got married on Saturday 7th May this year. The following Monday we were off on our honeymoon to Barmouth, which we got back from a couple of days ago.

Cate mentioned a friend of hers saying 'I needed a holiday to get over the holiday!' and in the best possible way, I think I know what they meant. Returning to normality is a slow process after a week or so like that.

We were told to enjoy every moment of our wedding day, as it all went by so fast. And it did. And at the same time, it seemed to last forever - again, in the nicest possible way. My face hurt from all the smiling. Family and friends were there, and a lot of writers. God knows how many horror stories we've inspired. One day I'll have to write about it myself - make sure it's all immortalised in prose.

We took a moment, too, to remember Cate's Mum Pauline, and Joel Lane, who would have been our
best man: special thanks to Bernard, who did that job on the day, and to the one and only John Llewellyn Probert for reading a short extract from one of Joel's works. I could go on and on about all the different people who made the day so special, like our bridesmaids Amy and Becky, or... but I'm going to stop there now, because I'll end up leaving someone off! But thank you, thank you, thank you to everyone who came. It was a special day.

The honeymoon was lovely too - on past trips to Barmouth we've been cursed with some grotty weather, but that week was glorious. I'm tanned several shades darker than I was before - or at least my face and forearms are! So we walked along the beach, spent a lot of times in the beautiful cafes on the Quay, like Davy Jones' Locker and The Anchor, spent even more time in various gift shops (Cate) and second hand bookshops (both of us), and spent most evenings in the restaurants - The Captain's Table and (again) The Anchor being two particular standouts. If you're ever in Barmouth, those are both great places to eat.

They're even naming drinks after my stuff now....
We made a couple of day trips, to Porthmadog and Bala, and on the second actually found a bottle of liqueur called Black Mountain, aka Mynydd Du!

The day before we left, we went to St Mary's Church at Llanaber, where my gran is buried, to pay our respects and put some flowers on the grave. Daft, I know, but I find myself talking to her, even though she isn't there. She worried, I think, in her last years, that I was never going to get married or settle down with anyone. I wish she and Cate could have met - they'd have loved one another to bits.

We walked back from Llanaber, over the railway tracks and down the full length of the prom, which, be assured, is a bloody long way, especially in hot weather. Luckily, the Quay also boasts an ice-cream parlour called Knickerbocker's, which was a pretty good motivator. On the way there, we actually bumped into the registrar who'd married us, who was spending the weekend on the coast...!

So, a lovely day and a lovely honeymoon. And I'm a very happy man. Hopefully Cate's an equally happy lady. I love her very much and hope for many happy, healthy and prosperous years with her.

Here's some music, because for some bizarre reason this seems to be the song that sums up the whole thing for me. (Cate will probably think otherwise, but even the happiest marriage has the odd disagreement.) ;)

 Peace and love to all,

Simon x




Saturday, 12 March 2016

Things of Last Night: The Hell's Ditch Launch

So the paperback launch of Hell's Ditch went off last night at Waterstones Liverpool One, with Ramsey Campbell and Conrad Williams also reading in an effort to make me look good!

I was glad to see a few friends in the audience, including a few I hadn't met in a while, but even better there were a whole bunch of people I hadn't seen before. Always nice when some complete strangers show up!

Conrad read a passage from his latest, Dust And Desire, the first of a series of crime novels featuring his PI Joel Sorrell. I read it when it was first published as Blonde On A Stick; Conrad did a signing for at that very Waterstones store back in 2010, which was where I met a certain Cate Gardner for the very first time...! Anyway, Dust And Desire is out now and well worth your time: it's a very bleak, blackly funny crime novel, strongly influenced by the 'Factory' novels of Derek Raymond.


Ramsey's reading was from his latest novel too, Thirteen Days By Sunset Beach, in which an elderly couple's holiday on a Greek island with their children and grandchildren acquires subtle shades of menace that may be related to ancient legends. It's a powerful and often poignant tale, and - as usual with Ramsey - necessary reading for anyone who appreciates great supernatural fiction.

We had a great turnout - a lively audience who provided a fun Q&A session following the readings - and as the photographic evidence shows, a good number of books were sold. Our friends Priya Sharma and her partner Mark also came along, and joined us for a massive Chinese meal following the event. I somehow managed to get out of the restaurant without having to be pushed in a wheelbarrow...

Big thanks are due to Conrad and Ramsey for their support, to Glyn Morgan and the rest of the Waterstones team for hosting us, and to everyone who came for showing up! And of course, to Cate, not least for the photographs.

Friday, 11 March 2016

Things of the Week 11th March 2016 feat. Hell's Ditch Event at Waterstones Liverpool One

Well, another week, another blogpost.
First and biggest thing of the week, of course, is tonight's event at Waterstones Liverpool One, for which tickets are still available (hard to believe, I know.) I'll by aided and abetted by Conrad Williams and the legendary Ramsey Campbell, who'll both be reading from their latest works.

I've had book launches before, but this is my first in a proper bookshop where I'm 'headlining' - especially with the likes of Ramsey and Conrad on hand. So, maybe just slightly nervous. I'll cope somehow, I'm sure.

We're continuing our Babylon-5 rewatch, and thankfully the quality's improving. I'm not sure if Cate will ever fall in love with it - space-based stuff tends to be a hard sell with her - but I think she's starting to like it a bit more. No two ways about it, sadly - with no disrespect to the late Michael O'Hare - things started getting markedly better once Bruce Boxleitner took over as station commander. There's a lot less padding in series two, and the Shadows are finally moving to centre stage. The CGI, dazzling in 1994, still looks dated and weak now, but special effects are always the first thing to date.

I'm making good headway with the first draft of The Devil's Highway, hitting the halfway point yesterday. Still a long way to go on typing the bloody thing up, though.

Tachyon Press have revealed the cover for Ellen Datlow's Nightmares anthology, due out in
November. As you can see, it features some great artwork by Nihil. Here's that TOC in full:

  • Shallaballah by Mark Samuels
  • Sob in the Silence by Gene Wolfe
  • Our Turn Too Will One Day Come by Brian Hodge
  • Dead Sea Fruit by Kaaron Warren
  • Closet Dreams by Lisa Tuttle
  • Spectral Evidence by Gemma Files
  • Hushabye by Simon Bestwick
  • Very Low-Flying Aircraft by Nicholas Royle
  • The Goosle by Margo Lanagan
  • The Clay Party by Steve Duffy
  • Strappado by Laird Barron
  • Lonegan’s Luck by Stephen Graham Jones
  • Mr Pigsny by Reggie Oliver
  • At Night, When the Demons Come by Ray Cluley
  • Was She Wicked? Was She Good? by M. Rickert
  • The Shallows by John Langan
  • Little Pig by Anna Taborska
  • Omphalos by Livia Llewellyn
  • How We Escaped Our Certain Fate by Dan Chaon
  • That Tiny Flutter of the Heart I Used to Call Love by Robert Shearman
  • Interstate Love Song (Murder Ballad No. 8) by Caitlín R. Kiernan
  • Shay Corsham Worsted by Garth Nix
  • The Atlas of Hell by Nathan Ballingrud
  • Ambitious Boys Like You by Richard Kadrey
That is a stonking lineup, and I'm blown away to be included.

Right. Off to practice tonight's reading...