2022 so far...

Well, the New Year is already no longer so new, rushing by at a rate of knots; we're already a week into the second month of it.

Various things are in motion at this end; I finished one novel on New Year's Eve and have a few last revisions to do, and am about 30,000 words into what will hopefully be a new one. 

The new issue of Phantasmagoria magazine is out, featuring my story 'Nemesis Of Wire' alongside new fiction by Caitlin Marceau, Evangelia Papanikou, Mike Chinn and many others. 'Nemesis Of Wire' is a Christmas-themed chiller (the issue was originally slated for December) set in a trench on the Western Front in World War One, where amid all the state-sanctioned slaughter, the legacy of one heinous act still lingers...

Reviews of Ellen Datlow's body horror anthology Body Shocks continue to appear, including
this one from Anthony Cardino, which concludes: "If I had to choose the most disturbing story in the anthology in terms of body transformation and trauma, it would be a three way tie between Simon Bestwick’s “Welcome to Mengele’s,” which involves bodily abuse of clones; Cody Goodfellow’s “Atwater,” which contains both the most disturbing birthing scene I’ve read and a scene reminiscent of the climax of the movie Akira which made me physically ill the first time I saw it on VHS; and Michael Blumlein’s “Tissue Ablation and Variant Regeneration: A Case Report.”" 

I still haven't settled down to read Body Shocks, believe it or not, but I'm looking forward to it, and I'm inordinately pleased that a story I wrote all the way back in 1998 is still disturbing the hell out of people.

Reviews of Devils of London have shown up thick and fast, with Linda Nagle raving over it at Ginger Nuts of Horror and more qualified, though generally positive, reviews from the Future Fire and Horrified. I suspect they're right that there maybe should have been more to this story than there was; maybe I need to return to the theme in a novel. Or maybe I'm just too quick to believe every criticism. Even if I am, though, I kind of like the idea of exploring the premise at greater depth and in greater detail...

Finally - and I've been meaning to blog about this all year! - I was delighted to find I'd made two people's 'top ten' list for 2021.

On Twitter, Ian Duff listed 'ten books I read for the first time in 2021 and really enjoyed', which were:

1) Last One At The Party - Bethany Clift
2) Roth-Steyr - Simon Bestwick
3) One Day All This Will Be Yours - Adrian Tchaikovsky
4) Never - Ken Follett
5) Tidepool - Nicole Willson
6) The End Of Men - Christina Sweeney-Baird
7) The Handmaid's Tale - Margaret Atwood
8) Zero Day Code - John Birmingham
9) The Burning Girls - CJ Tudor
10) Nine Ghosts - Simon Bestwick

Making the list twice is brilliant enough, and even better when I'm sharing it with the likes of Margaret Atwood, CJ Tudor, Adrian Tchaikovsky and Ken Follett...

And last but far from least, Tony Jones published his Top Ten Reads of 2021 at Horror DNA, in which A Different Kind Of Light leads the list, alongside work by Adam Nevill, Ronald Malfi and Philip Fracassi:

"A Different Kind of Light is top-heavy with genuinely standout creepy scenes which leave a lasting impression once the final page is turned... Out of the blue Ash receives a message from Danie, an old university friend, who is seeking help in authenticating a piece of vintage sports film footage, which features the aftermath of the 1955 Le Mans Disaster. In this crash, the driver Pierre Levegh swerved into spectators, killing 84 and injuring 120 in the deadliest accident in motor racing history. The pair agree that there is no way this footage could have been faked and investigate further, buying the oddity on behalf of a third-party collector.

Building horror novels out of real historical events is a tricky business and A Different Kind of Light totally nails it. When Ash realises there is something very dodgy with the film, his research takes the story into unpredictable directions, with the balance of the developing supernatural storyline convincingly interconnected to the dynamics between the two main characters, and an enticing investigation into the origins of the film.This haunting novella will remain with you long after the killer ending."

All of which makes me a happy man, as we forge ahead into the uncharted waters of 2022.... 

Things of the Past Week: Body Shocks, Best Horror of the Year #13 and the return of Black Mountain

'Mynydd Du will rise again,' I promised my blog readers all the way back in 2016, when I withdrew Black Mountain from Spectral Press. And, at last, it has.

But more of that anon.

Last week saw the release of Body Shocks, Ellen Datlow's anthology of body horror fiction, in which my story 'Welcome To Mengele's' appeared alongside fiction by Richard Kadrey, Seanan McGuire, Nathan Ballingrud, Caitlin R. Kiernan, Tananarive Due, Carmen Maria Machado, Priya Sharma, Cassandra Khaw, Brian Evenson, Cody Goodfellow, R.C. Matheson, Christopher Fowler, Terry Dowling, Ray Cluley, Livia Llewellyn, Alyssa Wong, Lisa L. Hannett, Tom Johnstone, Michael Blumlein, Angela Slatter, Edward Bryant, Pat Cadigan, Kij Johnson, Lucy Taylor, Genevieve Valentine, Kaaron Warren and Kirstyn McDermott, along with cover art and design by the brilliant John Coulthart.  

'Welcome to Mengele's' was written in 1998, when I was twenty-four years old. The story is now almost as old as I was when I wrote it. One of those realisations that makes you stop in your tracks for a moment.

The reviews for Body Shocks have been great so far: 

"Brings outstanding narratives about pain and transformation together to offer a great introduc­tion to a subgenre that’s here to stay." (Locus)

Body Shocks "delivers... epically on its promise to deliver 'extreme tales of body horror'," says Sadie Hartmann in her review for Tor Nightfire, and adds of 'Welcome to Mengele's':

"You are not ready for this story. Nobody is ready for this story. It’s best to just walk in blind and let Bestwick blindside your sensibilities in the best possible way."

"The definitive body horror tome," says Horror Obsessive. "Long live the new flesh."

And Publisher's Weekly concludes their starred review of the anthology with: "Simon Bestwick’s bizarre alternate history “Welcome to Mengele’s” takes readers into a Nazi doctor’s movie theater where patrons watch their sickest fantasies play out on screen. These wholly original and truly chilling tales are not for the faint of heart." 

This week saw the release of another Datlow anthology, the thirteenth in her annual Best Horror of the Year series, which includes my tale 'A Treat For Your Last Day'. It marks my fifth appearance in the series. It also boasts an outstanding cover by Reiko Murakami.

Finally, as promised, we return to Black Mountain.

The original eleven-part ebook serial has been revamped into a single-volume edition from the superb Italian imprint Independent Legions Publishing, charting the eerie and unexplained happenings of the 'Bala Triangle', centring on the mysterious crag known as Mynydd Du, or Black Mountain. Those who probe its mysteries too far often come to grief - including, perhaps, the readers of the book...

"I had to put the kindle down at one point, so effective - and downright scary - was the imagery being presented," said Dark Musings of the original serial. The new edition is available both in ebook and in print from Amazon.

I'm hugely grateful to Alessandro Manzetti of Independent Legions for giving Black Mountain a new lease of life. Alessandro's work, incidentally, also grace the pages of Best Horror of the Year #13, in the form of his poem 'Bloody Rhapsody'. Thanks also to Karen Runge, who edited the new version for publication.

I hope you'll want to visit. If you're undecided, here's a taste of what to expect. As well as the stunning new cover art by JumalaSika Limited, it also features some of Neil Williams' artwork from the original series. I'm enormously grateful to both of these artists for helping bring my work to life.

Now settle back and watch the trailer...

 

  

Things Of The Week 2nd April 2021: Best Horror Of The Year #13, Nine Ghosts Launch Video, Out Of The Darkness, Body Shocks Advance Review

So, two nights ago I got an email from Ellen Datlow, about a short story of mine called 'A Treat For Your Last Day,' letting me know she wanted to publish it in The Best Horror of the Year #13.

Anything like that is always great news, but this was particularly great for two reasons: firstly because it'll mark the first time I've appeared in Best Horror of the Year for two years running - it only seems like last week that I received my contributor's copy of Best Horror of the Year #12, the incredibly cool Reiko Murakami of which is pictured on the left - and secondly because 'A Treat For Your Last Day' was first published on my Patreon page.

I've had a Patreon account for a couple of years now, and my biggest challenge has been making it both something I can sustain and something that's worth looking at. I'll talk a bit more about my Patreon in another post some time. For now, I'll just say that I post new work there every fortnight and that you can read it for as little as a dollar a month. So there we go. 

In other news, the Kickstarter for Unsung Stories' Out Of The Darkness anthology still has five days to run, although it's already massively outstripped its original target of £2500. I'm one of a host of authors - including Laura Mauro, Aliya Whiteley, Georgina Bruce, Gary Budden, Tim Major - who've contributed horror and dark fantasy fiction inspired by the theme of mental illness. All author fees and royalties will be donated to Together For Mental Wellbeing.

Having hit its first stretch target of £5000, the anthology will now include an additional story by Malcolm Devlin; if it hits its second stretch target of £7000, a further story by Gareth E. Rees will be added to the table of contents. The total amount pledged currently stands at £6840, so things are looking pretty healthy there.

Ginger Nuts Of Horror has been hosting a series of articles in which the anthology's contributors talk about their own inspirations and experiences. Contributors Aliya Whiteley, Tim Major and Anna Vaught disucss their stories here; Alison Moore, Verity Holloway and Eugen Bacon talk about theirs here, and you can find Sam Thompson, Richard V Hirst and myself on our own contributions here. 

The first advance review of another Ellen Datlow anthology, Body Shocks - which includes my story 'Welcome To Mengele's' - is now up at HellNotes, and seems to be a rave. Hopefully the first of many for this book. 

Finally, Nine Ghosts, my new mini-collection from Black Shuck Books, was released on March 25th, and March 26th saw a live-streamed launch via YouTube. 

See! A fat beardy man wittering on!  

Hear! The two lucky winners of free copies of the book!

And tremble! At readings of two of the stories from the collection, 'The Cage' and 'Dab and Sole.'

If you missed (or if you didn't, and for some insane reason actually want to put yourself through that again,) here it is.

Have a good weekend, folks.

Simon.