Author and Scriptwriter

'Among the most important writers of contemporary British horror.' -Ramsey Campbell
Showing posts with label R101. Show all posts
Showing posts with label R101. Show all posts

Wednesday, 16 January 2013

The Next Big Thing (With Apologies To Paul Finch And Carole Johnstone)

First of all, sorry I’ve not been around much lately.  There’s been some not-too-wonderful stuff going on in what we laughingly call ‘real life’ that’s occupied a lot of my time lately.  Nothing to do with the ever-reigning Ms G; that’s been one aspect of my life that’s been consistently great, in fact.  No, this involves the world of work, and it’s still ongoing, so can’t be discussed here as yet.  Hopefully that’ll be resolved in the next month or so, and I can be a little less mysterious about it.

Secondly, a more specific apology goes out to Paul Finch and Carole Johnstone, both of whom asked if they could tag me in this meme a while back and didn’t even receive the courtesy of a reply as my head was firmly up my arse.  As penance, I’m tagging them here.  (Also, there’s practically no-one I know left to tag, so that’s its own punishment.)

Anyways, that most excellent Aussie, Mr Antony Mann, tagged me in this meme to write about my WIP.  So here goes…

1) What is the working title of your current/next book?
Riders On The Storm.

2) Where did the idea come from?
The R.101 airship, the biggest British aircraft ever built- 777 feet long and 132 feet high- which crashed in France on October 5th, 1930, killing 48 of the 54 men aboard.
R.101 over St. Paul's Cathedral


3) What genre does your book fall under?
God alone knows.  A sort of bizarre mix of science fiction, fantasy, horror, comedy, action-adventure and love story.  But despite the airships, I don’t think it counts as steampunk.

4) What actors would you choose to play the part of your characters in a movie rendition?
That’s an interesting question as many of the characters are based on the real-life crew and passengers killed in the crash.  The main character, Sam Church, was a young crewman who nearly prevented the disaster, and survived the crash only to die of his injuries shortly before his father and fiancee reached his bedside.  The other crew members have largely been fictionalised, so that’s a bit easier: if I could borrow a time machine, I’d nip back to the ‘80s and collect the late great Bob Peck to play Lieutenant-Commander Joseph Stakowski Martindale (R.101’s First Officer) and a greying but still tough-looking John Thaw for Flight Sergeant Bill Rathbone (the ship’s Chief Coxswain.)  Plus a younger Liam Neeson, from around the time he did Darkman, to play the villain of the piece, Mr Quill.  For other characters, I’d go for Pauley Perrette as Sidgeley (a brilliant, geeky Goth chick from 2007), Naomie Harris as Captain Jane Rhymer (an 18th century pirate) and Hermione Norris as Dr Gail Anderman (an archaeologist from 1936.)
Rigger Samuel Church, 1904-1930


5) What is the one-sentence synopsis of your book?
At the moment before it crashes, the R.101 airship and the men who were killed aboard her are pulled through space and time to a distant world to help save a community of people from throughout earth’s history from an inhuman, Lovecraftian menace that’s awakening after aeons of slumber, and the insane, decaying Mr Quill.

6) Will your book be self-published or represented by an agency?

My wonderful agent, Sharon Ring, will be representing it.


7) How long did it take you to write the first draft?
The first twenty or thirty thousand words took months of writing and rewriting, because there’s so much stuff happening- you’ve got to set up the historical event (the R101 disaster) and the background to that, plus the alien planet and everything going on there; also, you have to introduce the airship and get enough information across for readers to understand what’s going on. As well as that, you have to introduce a bunch of characters.  Oh, and on top of all that, there’s the actual story.  The hard work’s trying to combine all that in a way that flows naturally and doesn’t seem clunky.  Once that was finished, the rest- eighty or ninety thousand words- came very easily and the first draft was finished in a couple of months.

8) What other books would you compare this story to within your genre?

I’m really not sure!  Michael Moorcock’s The Nomad Of Time is a bit like it, I suppose- it involves airships and time travel.  I did once jokingly describe it as Battlestar Galactica with airships, though I think- hope!- it’s developed beyond that.

9) Who or what inspired you to write this book?

Are you sitting comfortably?

In 2010, I went to the Fantastic Films Festival in Manchester, where Ramsey Campbell presided over the raffle.  The prizes were a mix of stuff you’d really want and stuff you wouldn’t accept as a free gift if there was a gun to your head.  One such example was a book on girl’s dolls, apparently written for adults.  Frankly I found that creepy enough, but Ramsey started doing the dolls’ voices… I still have nightmares about that bit. 

Anyway, he made it clear that no-one was going anywhere till somebody bid at least a pound on this book.  Which I did, just to make it go away.  Of course, no-one else was stupid enough to do that, so I ended up with the infernal thing.  I tried to surreptitiously abandon it in the hotel as I was fairly sure that I’d get put on some sort of register if I was caught with it in public, but some bugger found it and posted it to me.  No idea who.  In a way, that’s the most worrying thing about it.

But there was another book that was part of the same prize, called Survival of Death, all about the ‘evidence’ for the afterlife.  And one of the articles in it was about the R.101 airship disaster, and a medium who claimed to have made contact with the spirits of the dead crewmen.

I’d read bits about R.101 before, back in pre-internet days, and this article rekindled my interest.  People still argue today about the causes of the crash and whether she was simply a bad ship or a good one plagued by ill-luck.  I knew there was a story in it somewhere and read more widely about R.101 and the great rigid airships in general.  They cast a spell, which I think you either get or you don’t, and R.101 was certainly a beautiful ship.  Anyway, I originally intended to write two or three stories about R.101- each completely different versions of the story- to try and sell as a chapbook.  Somewhere along the line one of the story ideas- where the ship escaped destruction- expanded and pushed the other ideas out.  First it was going to be a novella… then a novel… now it’s planned as the first in a series of novels.  No idea how that happened.

R.101 over Elstow, Bedfordshire

10) What else about the book might pique the reader's interest?
There are also: Spitfires, pirates, monsters, battles and true love.

Thanks again to Antony for tagging me, and I hereby tag Jeannie Alderdice to carry the meme on by answering the same 10 questions and tagging others to carry it on on January 23rd!

Sunday, 27 May 2012

Apocalypses, Monsters and Airships, Oh My!

The weather is fantastic here right now, and I'm doing my best to make sure I get out in at least some of it.  At the moment, though, Hell's Ditch is taking up big chunks of my time.

To get the book ready for its early June deadline (at which point it goes out to the beta readers for a last going-over before being sent on to the redoubtable Agent Ring) I'm needing to revise about 20 pages a day, which is double what I'd normally set out to do.  The revisions here are basically to do with reducing wordcount, trimming about 10% in an effort to boil the writing down what what really matters.  As I'm going I'm compiling a list of things, big and small, that will need fixing or changing- anything from the layout of a room to a minor character's development over the course of the whole book to a series of short additional scenes that will need slipping in to build atmosphere.

Hell's Ditch is quite different from my first two novels.  Set in a dystopian and devastated Britain twenty years after a nuclear attack, it has more elements of science fiction in it for a start, and it's the first in a planned quartet of novels.  But it's got plenty of darkness and Lovecraftian horror in it, too.  I wrote the first half of the novel in 2010, but stopped work on it towards the end of that year when my grandmother died.  Funnily enough, as I keep working on the novel I see how it needs, very much, to be about grief and loss and the different ways in which people cope with and survive them.  Or, as the case may be, don't.  (However, it's also about scary monsters, shootouts and explosions, and has a main character called Helen Damnation.  Nobel Prize for Literature, here I come...)

Once that's finished with, I have a collection, The Condemned, which I will need to proofread and- in the case of a couple of stories- make some extensive revisions to.  The Condemned, which will be published later this year by Gray Friar Press, is a collection of six novellas and novelettes, plus a bonus story for buyers of the hardback edition.  After that- I hope to have time to write a couple of new short stories and novels, before moving on to a novel I've been wanting to write for some time.  This one will be another departure for me and the start of another planned series, born out of my fascination with the largest British aircraft ever built- the R101 airship. 

Before anyone asks- no, I'm not abandoning horror in search of success.  There is no point in being a writer if you don't tell the stories you want to tell.  These tales have been in my blood for a while now, waiting to get out.  And believe me, there will be horror.  Even on the airship.

That's pretty much the rest of 2012 mapped out for me, then.  The end of the year should see me returning to The Song Of The Sibyl, for hopefully the final and decisive engagement with a novel that's refused to let go of me, even though the writing (never mind the rewriting) of it has probably been the most fraught and complicated project I've had yet!

So- apocalypses, monsters and airships, oh my!  It's going to be a fun year.

Enjoy the lovely weather!

Friday, 10 June 2011

R101

Apropos of nothing, I love airships.

They just have a grace and beauty that aeroplanes, for me, simply lack. And, I suppose, a certain kind of old-world charm.

Britain's airship industry ended with the crash of the R101 at Beauvais, France. R101 was a magnificent sight but a sadly flawed design. According to one anecdote, the crew spent the night before the final flight saying goodbye to their friends and telling their sons to look after their families, because they knew the R101 was too flawed to reach its intended destination of Karachi.





R101 was one of two competing airship designs- the other being the R100, built by the Vickers corporation and designed by Sir Barnes Wallis. The engineering team also included Nevil Shute Norway, better known as the novelist Nevil Shute. R101 was built by the Air Ministry at Cardington, Bedford. This was at the time of Ramsay MacDonald's second Labour government, and so it became a political issue- state enterprise versus private.

Shute was very critical of the R101 and its designers, but later admitted many of his criticisms were unfair: the R100 was planned as a safe, conservative design, while the R101's brief was to push the limits of the existing technology. But the ship's designers were working effectively in a goldfish bowl, which created its own pressures- when the R100 team discovered that petrol engines would be more effective than diesel (less power, but also less weight) they were quietly replaced. The R101 team couldn't because of the outcry over wasting public money.

Political pressures meant the flight to Karachi had to go ahead, come what may. The R101 was granted a Certificate of Airworthiness despite the Inspector's misgivings, and the final flight took place. The R101 left Cardington at 6.24pm on 4th October, 1930, but struggled to maintain altitude throughout the flight. Just past Beauvais the airship went into a dive, briefly recovered, then dived again, crashing headlong into a hillside at Allonne on the morning of 5th October.

The flammable hydrogen gas used for buoyancy ignited, and of the R101's 55 passengers and crew only seven men escaped: Engineer Arthur Bell, Engineer Joseph Binks, Engineer Alf Cook, Wireless Operator Arthur Disley, Foreman Engineer Harry Leech, Engineer Victor Savory and Rigger Samuel Church. Sadly Samuel Church later died in hospital from his injuries, only hours before the arrival of his parents and fiancee.

Britain cancelled its airship programme shortly thereafter, with the R100 eventually broken up for scrap.

Maybe airships will make a comeback. They're still around in one form or another, and the emergence of the new hybrid air vehicles are a blend of airship, plane and hovercraft. You never know.

Anyway, here's the R101 on its final flight. The music is called 'Final Flight', by Ian Hubball, aka Marbury. If anyone knows where the track can be downloaded, please let me know because I love it!