|I am a very bad person.|
The only reason we didn't end up playing all night was because Priya had a Blu-Ray of Mad Max: Fury Road. So I finally got to see the damn film, and it was incredible. Charlize Theron is superb as Imperator Furiosa (and what a cool name that is) and Tom Hardy... damnit, Tom Hardy is Tom Hardy. After seeing him in Locke, I understood exactly why so many people go chicken oriental about the guy. He fits very snugly into Mel Gibson's boots here, but Theron basically owns this film, which is just great stuff: almost completely non-stop action, but it actually builds in heart and character development and emotional power without sacrificing a moment's pace. I will admit to welling up slightly at one point. To avoid spoilers, I'll just say this: "Witness me."
|Bottom shelf, second from left. :)|
used it to rewrite some more of The Song Of The Sibyl. And then a new idea came along, and has started twitching into life. Should be worth the few days it'll hopefully take to bring it into the world. There are a few things I was putting off until 'after the book is written' that I'll try and do before going back to it, I think. I've a fairly tight deadline, but life's always fun lived close to the edge. (Famous last words, I know.) But you can't always do the sensible thing: see this excellent blog from Chuck Wendig.
This week has been the week of the London Book Fair, and both my publisher Snowbooks and my agent Tom Witcomb were there. They're probably just about recovering now!
And - nearly forgot! Angels Of The Silences got another review - this time on Hellnotes:
Bestwick’s talent for capturing the distinct voices of his protagonists is what sets this novella apart from others with a similar plot. Wrapping up in a quick but solid conclusion, Angels of the Silences will leave a lasting impression on any reader lucky enough to cross its path.
I'll take that. :)
|May the Liberator carry you safely home.|
On a sadder note, the actor Gareth Thomas died last week. I was a huge fan of Blake's 7 (and it was an influence on Hell's Ditch: there's a reason there's a character called Darrow in it...) and Roj Blake was, of course, the role he was best known for, but he had a long and solid career on the stage and television, and was actually twice nominated for a BAFTA, for the TV play Stocker's Copper and the series Morgan's Boy. (He even has an uncredited, blink-and-you'll-miss-him appearance in Hammer's Quatermass And The Pit - right at the beginning, as a workman...) Not to mention the cult TV series Children Of The Stones. Another series I always loved him in was the underrated Knights Of God, where he starred alongside John Woodvine, Downton Abbey creator Julian Fellowes and (in their final TV appearances) Nigel Stock and Patrick Troughton in a dystopian thriller set in a ruined Britain controlled by an order of clerical fascists. It was written by Richard Cooper, who's always good. I still have Cooper's novelisation of the script somewhere.
Knights Of God has never been released on DVD in the UK, but until it is, it's on YouTube: