Author and Scriptwriter

'Among the most important writers of contemporary British horror.' -Ramsey Campbell

Friday, 2 March 2018

Things of the Week and March 2018: Breakwater and Deadwater

The two big events this week both involve the editorial amazingness that is Ellen Datlow.

First off, my novelette Breakwater was published on and released as an ebook. Set in the near future, during a war between the humans and a newly-discovered intelligent sea-dwelling species, the Bathyphylax, it takes place aboard HMS Dunwich, a pumphouse - a Permanent Underwater Modular Platform, a kind of undersea space station. Dunwich was originally a scientific research station called Breakwater, but has been commandeered and expanded by the military. The pumphouse's designer, Cally McDonald, is on board when the Bathyphylax attack...

That should give you something of a flavour of it, anyway. To find out the rest, you'll just have to read it. :)

Meanwhile, Ellen's new anthology of sea-themed horror fiction, The Devil and the Deep, will be out later this month from SkyHorse, and has just received its first advance review over at Signal Horizon.

"The edition starts with "Deadwater" by Simon Bestwick, which is remarkably well done and really hooks you in. "

I'll take that. :)

Water-themed stuff seems to be working rather well for me just now.

The Devil and the Deep also features stories by Michael Marshall Smith, Alyssa Wong, Christopher Golden, Ray Cluley, Stephen Graham Jones, Seanan McGuire, Siobhan Carroll, Brian Hodge, and many more.

Wednesday, 28 February 2018

Breakwater: It's Here!

At last! After a couple of delays, my novelette Breakwater is online at

You can read it online here.

Or if you prefer, you can get the ebook here (US) or here (UK.) Only $1.19 or £0.86, depending on your preferred currency...

And with this gorgeous cover art by Goñi Montes.

Sunday, 21 January 2018

Things of the Year So Far 21st January 2018: The Moraine on Books In The Freezer Podcast, The Judgement Call and Breakwater, Planet of the Knob Heads

Hello again. So this year I want to be a bit more structured and revive the blog a bit. And what better way to do it than a swift recap of what's been happening?

First of all, there was some lovely news to round off 2017, when the Books In The Freezer Podcast shared their roundup of the year's reading. The two hosts picked their favourite novels and short stories of the year, and one of the picks was 'The Moraine' (the host's other favourite horror story read that year was Clive Barker's 'The Yattering and Jack', which is pretty damned good company to be in!) They start talking about 'The Moraine' at 31.50. The podcast's here, and of course you can listen to the story being read here at Pseudopod.

My first stories of 2018 see print in the next month or so: my story 'The Judgement Call', originally to have been a chapbook from Spectral Press, will be published by Fox Spirit alongside a new tale by Penelope Jones. Neil Williams' original awesome artwork for the story will grace the Fox Spirit volume.

And on February 7th - my Mum's birthday and the day after mine! - my novelette Breakwater will be published by More details as the time approacheth.

(TOR-DOT-COM! As I may have screamed ecstatically said before. TOR-FREAKING-DOT-COM!)


In other news, I encountered this little article on Brain Pickings (excellent site, and well worth a browse) which raised a few smiles as well as a reminder that nothing's new under the sun.

When e.e. cummings was awarded the Academy of American Poets Fellowship in 1950, the approbration wasn't universal. Some of the responses were downright unpleasant: step forward Dr Earl M. Byrd and Stanton A. Coblentz. The bilious grumblings of would have been at home on any internet message board. Well, maybe not, as they could both spell and weren't writing everything in allcaps. Not only was the art form of poetry being debased and destroyed, they cried, by those damned 'new', 'progressive' authors, but a cabal of their supporters were working to ensure the prizes went only to them. No doubt that'll sound pretty familiar, especially to American readers. (Not that there aren't times when 'dude, seriously?' is a legitimate action to someone winning an award. But we digress.)

However, the Brain Pickings article's author is wrong about one thing: he says Stanton A. Coblentz is 'entirely forgotten.' Well, not entirely. He's achieved a sort of second-hand immortality by dint of his authorship of a novel called... Planet Of The Knob Heads. He seems to have been a bit of an Anglophile in his poetic tastes, but obviously wasn't well-up on colloquial UK English. Perhaps he was visualising a world colonised by followers of Vox Day and John C. Wright. Who knows?

Hope the New Year's treating you all well. See you soon!

Sunday, 31 December 2017

2017: The Roundup

At least I didn't quack up.
Writing wise, 2017 was what Aliya Whiteley has called a 'Duck in the Mist' year - an awful lot of paddling going on beneath the surface, but not that much activity above it. I wrote quite a lot, and there'll be more about that in 2018, but comparatively little activity on the publication front. So here's the year that was.


I wrote the final drafts of Wolf's Hill and the entirety of a new novel, The Mancunian Candidate.

I didn't sell any novels in 2017, but there may be news on that front soon. Or not, of course. Such is the business....

The paperback of Devil's Highway was published in February. (It first appeared as a hardback in December 2016, however, so would be ineligible for any awards for 2017, assuming anyone was daft enough to nominate it. For anyone daft enough to want to read it, the ebook's still only £1.99)

Novelettes and Short Stories

Finished the first draft of a novelette, Breakwater, and redrafted to completion.
Also wrote first drafts of four novelette-length (I think) stories. Redrafts ongoing.
Wrote and completed two other stories, currently making the rounds.

Short story 'Deadwater' accepted for publication in Ellen Datlow's anthology, Devil and the Deep.
Breakwater accepted for publication by in 2018.

Short fiction published this year:
'The Adventure of the Orkney Shark' in Sherlock Holmes' School of Detection.
'The Tarn' in The Beauty of Death 2: Death by Water.

Monday, 18 December 2017

When You Hit The Wall

It happens to every writer sooner or later, at one time or another. Bad or good, male or female, old or young: sooner or later, on one project or another, you hit the wall.

The words just won't seem to come.

The characters are cardboard.

The writing is stilted and thin.

The story seems flimsy and superficial, with nothing of substance or originality to it. Derivative and second-rate. Nothing to say, and it doesn't even say it interestingly. Even to you, the author, it's boring.

Sometimes, the thing to do is track back through what you've done, to the last place where it felt as though things were going right: figure out where you took a wrong turn, and start from there.

Sometimes, you need to think through the stuff that underpins your story in greater depth: the characters, the setting, the relationships and power-games that underlie it all.

Sometimes, it's just a case of having temporarily written yourself out. The batteries are flat, because you've barely spent a minute away from your computer or notepad in the outside world, letting the details of people and places and things wash over you and fill you up with all those tiny sense-impressions, quirks and turns of phrase that funnel onto the page. There was a giant in Greek myth, Antaeus, who drew his strength from the Earth itself. As long as he was touching the ground, he was invincible. Herakles killed him by holding him aloft, so he became as weak as a kitten, then crushing him in a bear-hug. It's like that for writers - this one, anyway - and the outside world.

And sometimes, it's because the project itself is a dud. Or at least, it isn't the right time yet for you to write it.

Sometimes, too, the cause isn't easy to unravel. Could be that you'll struggle with anything else you try to do next. One derailed project can make getting back on the horse a struggle, can create a series of false starts and aborted novels or stories.

And what can you do?

Sometimes, you need a day or two off - but that can make getting back on the horse all the harder.

Sometimes, you need to get out of the house and get those batteries recharged.

Sometimes, you need to fix the work in progress.

Sometimes, you need to write something different.

(Like a blog post, maybe, especially when your blog's been so disused lately it's got cobwebs on it.)

In the end, though, you just don't give up. Mostly because you can't, no matter how much you feel like it. The writing won't let go of you that easily.

Sooner or later, you'll reach the other side of the wall. You'll climb over, or dig under, or go around. Or just bang your head against it so often that it falls down.

Like everything else, it'll pass.

And in the future, there'll be other walls, and you'll have to work out how get around or over or under or through them.

But the bits between one wall and the next?

They're what make it all worthwhile.

None of that helps, though, when you're banging your head against the wall and thinking that this is the last one and that there's no way through.

Wednesday, 13 September 2017

My Fantasycon Schedule (Updated!)

In other news, here I am with an adorable dog.
ETA: I'm actually on three panels now!

So, despite the fact that some people are claiming that anyone who attends Fantasycon this year is a nazi-loving c**t because the Don Estelle of the far right is on a single panel there, I'm going. Mainly because I'm neither a nazi-loving c**t nor the kind of idiotic arse who thinks [NAME REDACTED] is a credible source of information. Astonishingly, it's possible to be both.

*Breathes out*


I'm having a busier year than I have in a while; I'm on two panels this year, as well as doing a reading. So here goes:

Panel: Writing Fighting!
7.30 pm, Panel Room Two
With David Tallerman (mod), Anna Smith Spark, Adrian Tchaikovsky, Simon Bestwick and Stewart Hotston.
"Whether you're writing a combat scene on a spaceship, in a vampires tomb, or amidst a desperate battle, you want your readers to care about the outcome, right? Our panel will discuss the fine balance between action accuracy and communicating seat of the pants sensation. "

Panel: Creative Writing In Education
2.30 pm, Panel Room Three
With Ginger Lee Thomason (mod), Terry Grimwood, Tiffani Angus, Joely Black, Simon Bestwick and Terry Jackman.
"University degrees, Masters courses, Ph. D's and the National Association of Writers in Education (NAWE). Our panel discuss how their experiences and work in higher education has helped them as writers and how it can be beneficial to others."

Panel: Writing Dystopias
10.30 pm, Panel Room Two
With Guy Adams (mod), Simon Bestwick, Duncan Bradshaw, Thomas N. Toner
"The world is broken. What broke it? Can it be fixed? Dystopian Fiction has become incredibly popular in the last decade. Join our panel of doommongers as they discuss the different ways the world can be made worse and how different dystopias reflect aspects of our own society."

Reading Slot: Fantasy
10.00 am., Sandringham Room
With David Tallerman and Joely Black.
David Tallerman is an all-round good egg and author of fantasy fiction whose forays into horror fiction were collected last year in The Sign In The Moonlight; Joely Black's the gifted author of the self-published Amnar series, and a good friend who's attending her first FCon. And me? I hear you cry. You're a horror author, Bestwick, what are you doing here? Well, I'll be delivering a sneak preview of the latest work in progress, which is definitely edging into the realms of urban fantasy. Closer to the world of Angels of the Silences or The Feast Of All Souls than the out and out horror of Tide Of Souls and The Faceless, or the post-apocalyptic battleground of the Black Road books. Come on down for a sneak preview!

Monday, 4 September 2017