Author and Scriptwriter

'Among the most important writers of contemporary British horror.' -Ramsey Campbell

Sunday, 4 December 2016

The Lowdown with... Rosie Garland

Recently named ‘literary hero’ by The Skinny, Rosie Garland is an award-winning poet, novelist and singer with post-punk band The March Violets. With a passion for language nurtured by libraries, she started out in spoken word, garnering praise from Apples and Snakes as ‘one of the country’s finest performance poets’.

Her award-winning short stories, poems and essays have been widely anthologised. She has received the DaDa Award for Performance Artist of the Year, the Diva Award for Solo Performer, and a Poetry Award from the People’s Caf√©, New York.

Debut novel The Palace of Curiosities (HarperCollins 2013) was nominated for both The Desmond Elliott and the Polari First Book Prize. Second novel, Vixen, was a Green Carnation Prize nominee. Her next novel, The Night Brother is published June 2017.

1. Tell us three things about yourself. 

This is the most difficult question, isn’t it?

Let’s start at the very beginning, a very good place to start. An early memory is my grandmother reading aloud: wild tales full of dragons and magical happenings. It planted a lifelong love of reading, and of being read to. It’s why I enjoy poetry events so much. It’s not simply because I enjoy reading my own poems – I get a massive buzz from drinking in the words of others.

If I didn’t sing I’d be miserable. There’s always a musical project or two going on. One of the best-known is my alter-ego, Rosie Lugosi the Vampire Queen, cabaret chanteuse and mistress of musical mayhem. At the other end of the scale is post-punk band The March Violets. We reformed in 2007 and have been amazed at the positive response from our audiences. Not that we are content to rehash tunes from the 80s – we have written dozens of new songs, and they go down well, too!

I’m currently working on a new musical act with multi-instrumentalist √Čilish McCracken (Rose McDowall, Sgt Buzfuz, Slate Islands, Ida Barr). I’m inspired by the enduring influence of Music Hall and its power to subvert whilst being thoroughly entertaining. We play the part of time-travelling suffragettes - Armed with banners, a twinkle in the eye and a spanner for throwing into the works, we have travelled to the present day to perform updated versions of nineteenth-century classics such as The Boy I Love Is Up In The Gallery, I’m Shy Mary Ellen and Hold Your Hand Out, Naughty Boy – and many more.

Oh, and I make jam. It reminds me of being a kid and picking blackberries with my mum, the alchemy of transforming fruit into delicious goo.

2. What was the first thing you had published? 
From early on, I wrote stories for my toys (they were good listeners), and made them into teeny books. But I tasted the heady excitement of first publication at the age of 11, when I sent a ‘knock knock’ joke into a competition and it was printed on the wrapper of a Walls ice lolly.

3. Which piece of writing are you proudest of? 
It’s got to be The Palace of Curiosities. Not because I think it’s the best thing I ever wrote (it isn’t), but because it changed everything.

Here’s the short version: I was with a reputable London agency for twelve years, and gave them four and a half novels. But however hard I tried (and did I try), nothing seemed good enough. Then my agent stopped replying to my emails. My confidence was shot. I was at the point of giving up on writing fiction.

I realised that if I was going to get anywhere it would be under my own steam. In 2011, Mslexia magazine announced their first ever Novel Competition. Go on, I said to myself. One last fling. I dusted off novels #3 and #4 and sent them in. Both made the shortlist of ten. I was astounded: maybe I could write fiction, after all. Then novel #4 (published as The Palace of Curiosities in 2013) won outright. Within a week I had an enthusiastic new agent. Within a fortnight she had seven publishers in a bidding war over a novel I’d been told was unpublishable.

 I’m proud because I didn’t give up. Despite all the rejections, I kept going.

4. …and which makes you cringe? 

Novel #2. It’s awful. Repetitive characters, four timelines running alongside each other and even worse, it’s boring. Let’s just say I learned a lot about how not to write a novel. It’s tucked away at the back of a drawer and that’s where it’s staying.

5. What’s a normal writing day like? 
I don’t have a typical day and flexibility suits me fine. Having said that, I do try to get started in the morning – otherwise I’d put it off and put it off, and suddenly it’d be midnight.

I find the blank page daunting (don’t we all) and have developed a variety of routines and rituals to get the engine running. I start with three pages of journaling. It’s like rubbing the crust out of my eyes. And in company with many creatives, I’m a fan of Julia Cameron's Morning Pages. [NB - FROM EXPERIENCE, I CAN RECOMMEND THESE TOO! SB] I engage with small exercises and build up gradually. I compare it to being an athlete – I’d pull a muscle if I didn’t warm up properly. And, like an athlete, I exercise every day.

6. Which piece of writing should someone who’s never read you before pick up first? 
I guess that depends… fiction, poetry or music? If you like the sound of a novel set in a Victorian sideshow, populated with strange folk who exist on the fringes of society – I suggest The Palace of Curiosities. If your tastes run to a historical novel set in an isolated village in plague-ridden 1349, where the arrival of a mysterious young woman turns life upside down, try Vixen (The Borough Press 2014). Maybe poetry is your thing – in which case, you could check out Things I Did While I Was Dead. Or hang on till December 2016 for my new collection, As in Judy (both are with Flapjack Press.). And if music gets your mojo working, try The March Violets latest album, Made Glorious!

7. What are you working on now? 
I am adding the final touches to my next novel, The Night Brother. It’s out in June 2017, with my wonderful publisher, The Borough Press. There’s even a link to pre-order on Amazon. *ahem ahem*  And as I mentioned above, I have a new poetry collection coming out this December! Called ‘As In Judy’, it’s my first collection for years. I’m very excited. There’s a tour planned (that’s another plug, by the way) so keep an eye on my gig list to see if I am coming to a town near you…

© Rosie Garland 2016

Thursday, 1 December 2016

Feast On Our Souls!

(It's funny if you say it fast.)

Yes, today's the day - The Feast Of All Souls is out now! You can buy it on Amazon UK or US, or direct from the Rebellion Store.

And there's loads of stuff to go with it.

Here, just fr'instance, I am over at Sci-Fi Bulletin, talking about the overlap between Horror and SF (Hodgson and Lovecraft and Kneale, oh my!):

How do you tell a ghost story when you don’t believe in ghosts? Or when you don’t believe in everything that the existence of a ghost would normally imply – God, religion, an afterlife?

There’s always been an overlap between horror and science fiction; if they emerged as distinct genres in the nineteenth century, it was as different branches of the same tree. Mary Shelley’s Frankenstein, although rooted in the Gothic – and one of horror’s most instantly recognisable ‘brands’ – was nonetheless a vehicle for Shelley’s political and moral speculations on the possibilities of technology – which is about as science fictional as you can get. It wasn’t unique among her work, either – her later novel The Last Man prefigures dozens of other post-apocalypse novels (including M.P. Shiel’s The Purple Cloud (1901) and Richard Jefferies’ After London (1885).)

Meanwhile, and on a lighter note, I'm over there at Civilian Reader, talking about the fun process by which I've come up with titles:

...I stopped banging my head against the desktop, picked splinters out of my forehead, poured a large whisky and started throwing out potential titles.
Twenty or thirty of them.
None of which seemed right.
I can’t remember why I settled on The Faceless, but sheer exhaustion may have played a part.
Jon loved it, and so do I. I now can’t imagine the book being called anything else...

Coming up: I'll be blethering away further in an interview, then donning the interviewer's hat myself to talk to a real-life ghost-hunter...

Meanwhile, in Canada, library staff vote every month for their favourite upcoming books, via BookNet Canada’s Loan Stars readers-advisory program. Their picks for December are:

  1. Books for Living, Will Schwalbe (Knopf)
  2. Small Admissions, Amy Poeppel (Atria/Simon & Schuster Canada)
  3. The Twilight Wife, A.J. Banner (Touchstone/Simon & Schuster Canada)
  4. Kill the Next One, Frederico Axat (Little, Brown and Company/Hachette)
  5. In Sunlight or In Shadow, Lawrence Block (WW Norton/PRH Canada)
  6. The Gardens of Consolation, Parisa Reza (Europa Editions/PRH Canada)
  7. The Ice Beneath Her, Camilla Grebe (Ballantine/PRH Canada)
  8. The Feast of All Souls, Simon Bestwick (Solaris/Simon & Schuster Canada)
  9. Last Year, Robert Wilson (Tor Forge/Raincoast Books)
  10. Out of Bounds, Val McDermid (Grove Atlantic/Publishers Group Canada)
Have I mentioned lately that I love Canada?

And finally, the first advance reviews have come in...

Mallory Heart at The Haunted Reading Room: "an expansive horror novel constructed on a tautly plotted framework, delving into history, quantum physics, and the space-time continuum... not a story for the easily upset, [but] a novel with powerful impact."

"Don't confuse this with a simple ghost story," warns Tony Jones at Ginger Nuts Of Horror. "It has layers that go much deeper... The Feast Of All Souls certainly did not disappoint."

"Very well-written and atmospheric," says The Story Collector. "Spooky... plain disturbing... what horror should be."

Lora at Lora's Rants and Reviews, however, felt "It doesn't take long for Alice's experiences to become truly frightening. However... I felt let down by later chapters in the book. The story was an interesting read in itself, but suspension of disbelief didn't really happen and there were too many changes in scene or direction for it to flow smoothly." (Can't win 'em all!)

The review that affected me most, however, was by Lilyn G at Sci-Fi and Scary: "I’m always nervous when I go into a book where the main character has lost a child. As a child loss mom myself, I’m sensitive to how it’s handled. I’m also afraid (especially in horror reads) of the needless detailed almost graphic depictions that some authors like to include in their books of dead children. Luckily, The Feast of All Souls has a talented writer who handled the child loss angle well and didn’t need to stoop to depictions of dead kids to get his point across. Simon Bestwick did a fantastic job of illustrating how even though it feels like your whole life can be overcome by grief, you still manage to go on."

As someone who has no children and probably never will, it meant a great deal to hear from someone who'd gone through what Alice has been through that the portrait of her loss rang true.

There are more reviews on Goodreads - most of them good! - so you now hopefully have lots of good reasons to buy The Feast Of All Souls. And if none of the others work, you can just buy it for that brilliant cover by Ben Baldwin...

I'll also soon have some news on the delayed release of Devil's Highway. Watch this space!

Sunday, 27 November 2016

The Lowdown with... Stephen Bacon

Stephen Bacon lives with his wife and two sons in South Yorkshire, UK. His fiction has been published in magazines and anthologies such as Black Static, Shadows & Tall Trees, Cemetery Dance, Crimewave, and Postscripts. Several of his stories have been selected by Ellen Datlow for her Best Horror of the Year series. His debut collection, Peel Back the Sky, was published by Gray Friar Press in 2012. By day he works in an office, where he smiles at his co-workers and imagines very dark things happening to them. His website is here.

1. Tell us three things about yourself. 
Three things about me? Well, here goes - the first thing is that I love football. I'm actually a Nottingham Forest fan. I know a couple of other Forest fans who write horror (Richard Farren Barber and Danny Rhodes) so make of that what you will. The club's woes for the past 20-odd years probably speaks a language that horror lovers can understand.

The second thing is that, whilst I love horror and fantasy literature, I'm not a huge fan of the genre in film. I can probably count on one hand the number of horror or fantasy films I love. Actually, probably make that two hands. But compared to films from other genres (science fiction and crime and comedy) horror and fantasy fair pretty poorly. Books, however, are a different matter.

The third thing I need to tell you about me is this – once I finish my existing writing commitments I'm going to have a crack at writing the ubiquitous novel. I know, I know - that's what we all say. Well it feels like that might be the next phase of my writing path. So I'll be percolating ideas and making notes for the next few months (probably years) because it feels like the novel is an itch I'm about ready to scratch. Watch this space.

2. What was the first thing you had published? 
The first thing I ever had published was a short story called 'Webbed Fingers', which appeared online in a webzine called Dark Fire Fiction. Not long afterwards a story of mine called 'The Motive' was published in an American magazine called Aoife's Kiss.

3. Which piece of writing are you proudest of? 
My favourite story from my own work is probably either 'Cuckoo Spit' or 'None So Blind'. The first was published in Black Static and the second appeared in Shadows & Tall Trees. Both stories were received pretty well, and they felt like milestones in my writing path. 'None So Blind' was also the first story of mine that was selected for Best Horror of the Year rather than just making the honourable mention list.

4. …and which makes you cringe? 
Many of my earliest stories are incredibly overwritten, and not half as subtle as I thought they were when I first wrote them. But I suppose the evolution of a writer means that your path is visible for all to see. As long as your writing is improving, you can't argue too much...

5. What’s a normal writing day like? 
I work a full-time day job so my writing has to happen around that. I always have the weekends off too, which makes me sound incredibly lax. So I write weekdays in an evening, usually from around 7.30 pm onwards (until very late). During my lunch-break at work I tend to write longhand in my notepad, and then revise it when I type it up in the evening. I'm definitely the kind of writer who prefers having written rather than actually writing. I also read a lot which sometimes does make it difficult to spend as much time writing as I'd like, however I think it's essential to read extensively (inside and outside your chosen genre) in order to be able to write to a suitable standard to contribute. The way I work is that every time I write, I read through the previous bit and edit as I go along. That way my productivity is a bit slower, but hopefully I catch the time back by not needing quite as much in the subsequent drafts. I'm also the type who adds to the original draft rather than cutting bits out to streamline it. I prefer a leaner framework on which to hang my meat. I should also say that if you're reading this and your harbour a desire to write, the one thing I would definitely recommend would be to attend the odd convention here or there (Fantasycon and Edge-Lit are my preferred two) because you won't regret it. Just mixing with creative types is the most immersive and inspiring thing you can ever do. Some of my closest friends were people that I met at conventions. What can be better than chatting with likeminded souls until the early hours, all the while being surrounded by people selling books? If such a thing as Heaven exists, it'll look like a combined version of the dealers' room and the bar at a writers' convention. Trust me on that one.

6. Which piece of writing should someone who’s never read you before pick up first? 
Probably Peel Back the Sky, which is my debut short story collection. It is a snapshot of my writing from the first 5 or 6 years since I sold my first story. It was nominated for a British Fantasy award. It's due out very soon in a shiny new electronic version. However, at the moment I'm looking for a publisher for my second collection. This feels like it's more representative of how my writing has progressed in the last few years. There'll be stories from publications like Black Static and Postscripts and Shadows & Tall Trees and Crimewave and Cemetery Dance. Even a few that made Best Horror of the Year. And, of course, a few original pieces. I'll keep you posted once I find a willing publisher.

7. What are you working on now?
I am working on three projects at the minute. The first is called Laudanum Nights, which is a novella of fantastical dark crime set in a pseudo-Victorian city populated by insane toy-makers, immortal recluses and monstrous insects. It is due to be published at Fantasycon in September by Hersham Horror Books. [NB: AND IT WAS, AND YOU CAN BUY IT HERE] The second is a short story called 'Fear of the Music', which is inspired by notes from the much-missed writer, Joel Lane, who sadly passed away in 2014. Joel and I corresponded several times over the years and he was very encouraging and supportive about my writing - even being kind enough to provide a blurb for Peel Back the Sky - so this story feels incredibly important to me. My story will appear in the tribute anthology, Something Remains, [NB: OUT NOW] the profits of which benefit Diabetes UK, a condition from which Joel suffered. The third project is a novella called Cockatrice which I am writing for a US publisher. It's a multi-viewpoint tale concerning a young boy who lives with his parents in an apartment block by the seaside. Neglected by his parents, who have troubles of their own, the young boy comes to believe that the mysterious tenant from the top-floor flat might be some kind of monster. I hope to be able to announce details of this one very soon.

Saturday, 26 November 2016

Joel Lane, Three Years On: Black Is The Mourning, White Is The Wand

Today is the third anniversary of Joel Lane's death at the ridiculously early age of fifty. He's still loved and greatly missed - now, perhaps, more than ever. I wish we had his intelligence and insight right now.

A couple of years ago, around the first anniversary of his death, I wrote a flash fiction piece called 'Black Is The Mourning, White Is The Wand.' I haven't been able to find a home for it, so I decided to use it as part of a tribute video. So, here it is.

Monday, 21 November 2016

Things of the Last Couple of Weeks: 21st November 2016

Yep, I've used this one before, but it still applies.
I haven't really done Things of the Week for a while, because the most recent Things of the Week have been, well, horrible. Donald Fucking Trump for Christ's sake. We also lost Leonard Cohen, yet another in the non-stop roll call of great minds and talents 2016 has taken from us.

I'm not going to make jokes about it. I have POC friends, LGBT friends - not to mention pretty much any US friends who aren't complete douches - who are quite rightly terrified right now. An actual fascist is going to be the next US President. His White House will be run by an avowed White Supremacist. His Vice President has vowed to roll back not only same sex marriage, but every law preventing discrimination against LGBT people. (And despite all the right-wing jeering about PC culture, 'safe spaces' and 'special snowflakes', the new US strongman flies into a world-class tizzy when the cast of a musical dare to speak out to that Vice-President and call on him to, you know, not to be a bigot.)

But the Right are hypocrites. The same people demanding everyone now unite behind Trump are the ones who burned Obama in effigy and vowed to make him a 'one term President' (although their utter incompetence in that regard might at least be heartening.) They'll scream and shout over the cast of Hamilton calling out Mike Pence (as they did over the Dixie Chicks when they criticised Bush and the Iraq Invasion) but will scream about FREE SPEECH when it's their right to spew venom. There's no playing nice with them; they exploit the liberal idea that one should see both points of view, be reasonable, play by the rules - while refusing to do any of those things themselves.

The ones in the UK are no better. Anyone believe for a moment that Farage and the rest of the Leave campaign would have shut up and walked away if the June Referendum had gone to Remain by 52% to 48%? Like hell they would. But now that four per cent margin is a club to try and beat their critics into silence. Meanwhile, hate crimes have rocketed since the Brexit vote, and our new Prime Minister, who has openly stated that she wants to abandon the European Convention on Human Rights and who has now instituted the most intrusive mass surveillance in British history, has practically adopted UKIP's political agenda.

I've said for years we've been sliding into fascism; it's one of the recurrent themes in so much of my work.

Now we're pretty much there.

But despair is an ally to the enemy. Margaret Corvid has written an excellent piece on practical things Brits can do to combat Trump and what he represents. This article by Masha Gessen, who fled a similar brand of fascism in Putin's Russia, also makes for sobering but essential reading.

To my American friends: contrary to what some people claim, the horror community in the UK is not made up of fascist sympathisers, appeasers or collaborationists. (A certain individual is still spreading that claim, because everything has to be about themselves and their personal feuds - it's not only a lie, but now it's a pernicious one because it sows discord between people who should be on the same side.) Let me, let us, know what we in the UK can do to help. For what little it may be worth, if anyone's looking for a place to guest-blog about what's going on, to get what they want to say out there, consider this blog of mine a platform, yours for the asking.

Best wishes, everyone. This year has been a grim and scary one in so many ways, and it isn't over yet. 2017 isn't looking particularly promising. But the Trumps, the Farages, people like that can ultimately only destroy. Their end will come. In the meantine, let's focus on making their time in power as short as possible, stopping them doing as much damage as we can, and making sure as many of us as possible are still here when the morning comes. Because there will be a morning. There will be, if we can believe in it.

Rosanne Rabinowitz shared this one of Leonard Cohen's recently. It seems pretty apt right now.

Simon x

The Lowdown with... Steven Savile

Steven Savile has written for Doctor Who, Torchwood, Primeval, Stargate, Warhammer, Slaine, Fireborn, Pathfinder, Arkham Horror, Rogue Angel, and other popular game and comic worlds. His novels have been published in eight languages to date, including the Italian bestseller L’eridita. He won the International Media Association of Tie-In Writers award for his Primeval novel, SHADOW OF THE JAGUAR, published by Titan, in 2010, and The inaugural Lifeboat to the Stars award for TAU CETI (co-authored with International Bestselling novelist Kevin J. Anderson). Writing as Matt Langley his Young Adult novel BLACK FLAG, published by Cambridge University Press, was a finalist for the People’s Book Prize 2015. SILVER, his debut thriller was one of the Top 30 bestselling ebooks of 2011 (The Bookseller). He wrote the story for the massive bestselling computer game BATTLEFIELD 3 and has collaborated with HipHop legend Prodigy of Mobb Deep on HNIC. His latest books include: SHERLOCK HOLMES AND THE MURDER AT SORROWS CROWN, published by Titan in September 2016; SUNFAIL, an apocalyptic thriller published in the US by Akashic Books, and STELLARIS: INFINITE FRONTIERS published by Paradox Interactive in April 2016. 2017 sees the release of PARALLEL LINES, a brand new crime novel coming from Titan and GLASS TOWN, a hardcover original from St Martin’s Press in the US.

1. Tell us three things about yourself. 

a. I’m a Northumbrian lad living in exile. I went on holiday to Sweden in 1997 and never came home again. Literally. Phoned my mum who was supposed to pick me up at the airport and told her I wasn’t getting on the plane. It was the least planned emigration of all time.
b. I signed the Official Secrets Act – it’s not as exciting as it sounds, though my last few minutes covered under it did include being escorted at gunpoint which was almost James Bondy…
c. I’ve been struck by lightning. More than once. First time was when I was 19. Raging storms. Folks away. The guys coming around to play an all nighter session of Call of Cthulhu. They got lost. I went out into the storm, not thinking, using one of those stupid golfing umbrellas. It was ripped out of my hand, burned and buckled, and I was thrown about ten feet back across the street. What people don’t tell you is if it happens once, odds are it’ll happen twice. You become a bit of a lightning attractor. I swear, I’ve been knocked off my feet outside the parliament buildings in Stockholm, I’ve been on a jumbo jet over Florida that’s been hit (and seen the lightning go sizzling down the centre aisle). I was at a friend’s place once in a lightning storm and they didn’t believe me so I went into the garden in the rain and sat down. Within maybe two minutes a tree no more than fifty feet away was struck. I went right back inside, pronto.

2. What was the first thing you had published? 
It was a short story in a long forgotten small press mag in the UK called Exuberance. I was in the DF Lewis Special, a story called 'Coming For to Carry You Home'. That must have been 1991. Just saying that makes me feel old.

3. Which piece of writing are you proudest of? 
GLASS TOWN. It’s not out yet, but it’s the book I’ve always thought I had inside me. The one time I can look at the file and say you know what, I did it, I got it out as it was in my head, and it’s lovely. It’s not just that it’s my best novel, though I think it is, it’s that it was written in adversity. I had to write the final 70k in the months my father was dying, post terminal diagnosis, and then after his funeral. It was the hardest writing I’ve ever had to do, too, because for so long I thought I was never going to write again.

4. …and which makes you cringe? 
That’s harder than it should be to answer, but in retrospect I think it’s got to be the Stargate novel. That thing was cursed. It started out as a back-in-time adventure to a POW camp during the liberation, and posed the problems of not allowing themselves to get involved in history, and it was a pretty good story – then about a week before it went to print MGM shit the bed and came back ‘oh my god we can’t do a book about the Nazis! Make them aliens…’ which was a terrible terrible decision. It killed the book. I had a week to make the changes. Now… I was sprucing up my website tonight and actually thought hmm should I just make that one disappear… it’s tempting.

5. What’s a normal writing day like? 
I write full time. It’s been my day job for 12 years this year. Once upon a time I was a ‘get up at 9, write from 10-12, have lunch, write from 1-5, hanging out with the wife, write from 10-1… now I’m more like wake up at 10, watch last night’s tv, take the dog for a walk, putter around, oh look it’s 2pm… better go write, and I put in about 1000-1500 words a day. I don’t push myself beyond that because honestly I think the quality drops if I try to do 3k days, storylines rush, things don’t get time to breathe. BUT and this is a massive caveat, the couple of hours I’m walking Buster every day, I’m thinking about the plot, I’m wrestling scenes or threads or coming up with details. I spend 3-4 hours every day thinking about the stuff I’m going to do that day or in the week or so beyond. It’s vital time.

6. Which piece of writing should someone who’s never read you before pick up first? 
 Ideally it’d be GLASS TOWN or PARALLEL LINES but neither of those are out ywt, so it’d have to be SILVER, it’s the one that’s sold by far and away the most copies of anything I’ve ever done, and has generated the most fan-and-hate mail with the ‘Where’s GOLD?’ cry (it’s coming, Snowbooks, 2017… I promise) but it is absolutely the book where I finally became comfortable with myself and confident in my storytelling. So it’s the one I give away to people when I meet them or they come to the house.

7. What are you working on now? 
I’m working on a new novel for St Martins, COLDFALL WOOD, which is a very British mythological story, think Mythago Wood filtered through the lens of Clive Barker…

Sunday, 13 November 2016

The Lowdown (Mrs & Mrs Edition) Part 2: with Kelly Robson

Kelly Robson’s novella “Waters of Versailles” won the 2016 Aurora Award, and this year she was a finalist for the Nebula Award, World Fantasy Award, Theodore Sturgeon Award and Sunburst Award. Her Gothic Horror novelette “A Human Stain” is forthcoming at in January. Kelly lives in Toronto with her wife, fellow SF writer A.M. Dellamonica.

1. Tell us three things about yourself. 
I grew up in the foothills of the Rocky Mountains, just a few kilometers east of Jasper National Park.
When I was a teenager, I competed in rodeos. I was crowed Rodeo Princess when I was just 14 years old, but despite all that teenage outdoorsy-ness, reading has always been my first love.
Alyx Dellamonica and I have been married for nearly 30 years.

2. What was the first thing you had published? 
My first publication was “The Three Resurrections of Jessica Churchill” in the February 2015 Clarkesworld. Neil Clarke accepted it in December, and by that time I’d already sold several stories. None of them had been published yet, but one was coming out in an anthology in March. Editors love to get the first publication scoop for a new writer, so Neil Clarke squeezed me into the February issue.

3. Which piece of writing are you proudest of? 
That’s such a difficult question. It’s like asking a parent to choose a favorite child! All of my stories a really different from each other. I guess I’m most proud of “The Three Resurrections of Jessica Churchill,” which was a finalist for the Theodore Sturgeon Award. The reason why I’m most proud of it is that when I was drafting it, I knew exactly what I wanted to achieve (i.e., make people very upset) -- and I did it.

4. …and which makes you cringe? 
Absolutely nothing. No regrets. Well, that’s not exactly true. Here in Toronto we have a monthly SF reading series, which Alyx and I try to never miss. Last August, instead of a regular reading we did a “Mortified Reading” fundraiser where a bunch of pros read from their childhood or teenage writing. Almost everyone else read horror stories (Gemma Files’ in particular was fantastic) but mine was a horse story I’d written when I was ten years old. I’m not embarrassed of it – managed to read it with hardly any cringing, and it got several good laughs, but I’m afraid it doesn’t reflect admirably on my childhood psychology.

5. What’s a normal writing day like? 
I work from 8:00 to 4:00. We live in downtown Toronto and Alyx works at home so supper is usually over by 5:00. I’m usually writing by 5:30, and go until 7:30 or 8:00. Then we’ll watch and hour of TV, and asleep by 10:00. I’m not a fast writer, so to make decent progress, I have to put in at least two and a half hours five or six days a week (and preferably more, and much more when revising). I don’t write every day because for me, that’s a recipe for burnout. However, if I don’t write more days that not, the word count stagnates.

Cover: Waters of Versalles
 6. Which piece of writing should someone who’s never read you before pick up first? 
My novella “Waters of Versailles” gets a lot of love, and it’s one of my favorite pieces. It’s a glittering historical fantasy set in Louis XV’s Versailles, with a surprise emotional sucker punch.

7. What are you working on now? 
I’m revising a long time travel novella called “The Last Landing of the Lucky Peach.” The story is set several hundred years in the future, and involves mass extinction events, a coming of age story where the person who comes of age is 85 years old, intergenerational conflict, and the question of whether ancient kings really believed they had supernatural powers, which is a really interesting question to me. And because my story, it also has a lot of water in it. Seems like stories are always really wet!