Author and Scriptwriter

'Among the most important writers of contemporary British horror.' -Ramsey Campbell
Showing posts with label thana niveau. Show all posts
Showing posts with label thana niveau. Show all posts

Friday, 12 February 2021

Things Of The Week: 12th February 2021 (A Different Kind Of Light Facebook Launch Party, New review of And Cannot Come Again, Super Sekrit Acceptances)

Sorry, Dave - I only had room
 for one author picture!
 A Different Kind Of Light is released by Black Shuck Books on February 25th, and to celebrate and signal boost it I'm throwing a Facebook Launch Party. There'll be live readings from me and from my Special Guests Dave Jeffery and Laura Mauro (aka Bricklauncher,) book giveaways and a Q&A. Bring your own booze and order your own food from Just Eat. What else is there to do of an evening these days anyway? 😃

You can join the party here.

A new review of And Cannot Come Again has surfaced at SFRevu, describing it as: 'An excellent collection that will keep you entertained and disturbed at the same time.' Many thanks to Mario Guslandi for the kind words. (Props too to my Horrific Tales stablemate Thana Niveau, whose The House Of Frozen Screams also got a shout-out this week over at The Eloquent Page.)

I have some new acceptances, which is great, BUT I CAN'T TALK ABOUT THEM YET because contracts have to be signed, etc. Bah. So for now they are Super Sekrit, but details will be announced before much longer.

Anyway, that's all for now. And consider yourself invited to my Facebook party!





 

Friday, 12 June 2020

The Lockdown (Mr and Mrs Edition) with... John Llewellyn Probert

John Llewellyn Probert's latest book is the British Fantasy Award-nominated The Last Temptation of Dr Valentine, the second sequel to his British Fantasy Award winner The Nine Deaths of Dr Valentine. He won the Children of the Night Award for his portmanteau book The Faculty of Terror and his current projects include two more titles utilising the same structure. He is also at work on two novels and two non-fiction film books while continuing to write about current releases at his site, Houseof Mortal Cinema. After all six books have been finished he intends to sleep for a bit. But he probably won't.

1. Tell us three things about yourself. (If you’ve done this previously, ideally tell us three different things than last time!) I started wearing a monocle for a bit of fun but I actually find it incredibly practical. I wear a lot more waistcoats than I used to, but not all at the same time I own more shoes than my wife does.

2. Many writers have said the COVID-19 outbreak and the lockdown have made it harder for them to create. Have you found this? Has the outbreak affected you as a writer and if so, how?
It hasn't, really. My writing has always been an escape from the real world and there's no reason for that to have changed. Obviously I'm still going to work and as work is even more stressful than ever the need for release is all the greater and so when I get home the keyboard has been on fire most evenings. Let's see if anything any good comes of it all!

3. What was the first thing you had published?
When I was in school I wrote for the school magazine (and was one of the editors for two years) so my first published piece would probably have been a review of the annual organ recital in the school chapel.

4. Which piece of writing are you proudest of?
I don't know about proud, but the writing 'thing' I'm perhaps the most pleased I've ever done is my film review site House of Mortal Cinema. I had been tinkering with the idea for some time & eventually decided to go for it, especially once Thana supplied the title. It will be nine years old this year and I still love doing it. It's made me friends and industry contacts, plus the odd book contract, as well as causing me to watch a lot of stuff I would have been on the fence about otherwise.

5. …and which makes you cringe?
On bad days everything.
On good days nothing, because if I don't love my stuff how can I expect anyone else to?

6. What’s a normal writing day like?
I rise with the wind, remembering that high fibre Jacobs Crackers should be consumed one at a time and not by the packet load. Then it's into the bathroom and...
Sorry.
7am Rise
7.02am Champagne! Champagne for Everyone!
10.30am Get off the phone to the Queen after listening to her woes.
11.00am Lunch! Champagne and Truffles for everyone!
3.00pm Sit down at computer. Decide what films to watch for the rest of the day.
5.00pm Tea! Champagne and escargots for everyone while watching creaky Monogram 'classics' from 1942. Midnight. Think I should have written but it can wait until tomorrow.

7. What work of yours would you recommend for people on lockdown and in need of a good book?
I'd suggest Dead Shift from Horrific Tales Publishing. It's an easy read (I like to think all my stuff is) and lots of fun, even though it's set in a hospital. I'm planning to revisit that world with a longer book, by the way

8. What are you working on now?
It has to be kept secret I'm afraid – all six books! One has been delivered to a US publisher and I'm waiting to hear, another that I've been contracted for I'm getting finished right now. The others are in various stages of scribble but suffice to say they're all more of the same kind of thing I've been writing for years because I'm old now & I can't change, nor would I want to. Oh, I do have a new story coming out in...oh dear I don't think I'm allowed to talk about that either. What about my 'British Kolchak' story in...no. It's all a bugger this pre-publication secrecy thing, isn't it? Anyway plenty of stuff to come and if I'm the only one who likes any of them well at least they have one friend.

Monday, 8 June 2020

The Lockdown (Mr and Mrs Edition) with... Thana Niveau


Thana Niveau is a horror and science fiction writer. Originally from the States, she now lives in the UK, in a Victorian seaside town between Bristol and Wales. She is the author of the short story collections Octoberland, Unquiet Waters, and From Hell to Eternity, as well as the novel House of Frozen Screams. Her work has been reprinted in Best New Horror and Best British Horror. She has been shortlisted three times for the British Fantasy award – for Octoberland and From Hell to Eternity, and for her story “Death Walks En Pointe”. She shares her life with fellow writer John Llewellyn Probert, in a crumbling gothic tower filled with arcane books and curiosities. And toy dinosaurs.

1. Tell us three things about yourself. (If you’ve done this previously, ideally tell us three different things than last time!)
I’m (1) a dog person (2) a tea person (3) a morning person.




2. Many writers have said the COVID-19 outbreak and the lockdown have made it harder for them to create. Have you found this? Has the outbreak affected you as a writer and if so, how?
I’ve found it nearly impossible to create anything. When the world fell apart, I was halfway through writing a Lovecraftian eco-horror piece set in Siberia. It was oddly comforting to “escape” into that pandemic-free world, but at the same time it was challenging to do the actual creative work, since all my brain wants to do is obsess and worry. I was able to finish the story (and meet the deadline!), but I haven’t written anything since, or felt inspired to. I know I’m not alone in this, and misery loves company. I’m sure the muse will return when she’s ready. I want to write about dinosaurs and spaceships and get as far away from our dystopian reality as I can!


3. What was the first thing you had published?

“The Death of Dreams" - a grim futuristic story where your dreams can be recorded and exploited by the tabloid press. I wrote it for Joel Lane, and it was published in the charity anthology Never Again.


4. Which piece of writing are you proudest of?
I'm still very proud of my first SF publication, “The Calling of Night’s Ocean”, told mostly from a dolphin’s POV. But I’m also proud of “Octoberland”, the title story in my last collection. It’s the most personal story I’ve ever written.

5. …and which makes you cringe?
I’m not sure it’s deserving of cringes, but there was that epic fanfic saga I wrote when I was 12 or so. It started off as a Star Trek / Blake’s 7 team-up, but it soon spiralled into a game of seeing how many characters from different universes I could cram into it. I’ve only recently been properly introduced to Doctor Who, but Tom Baker’s Doctor was in there, along with Leela. Also included were characters from V, ElfQuest, Robotech, the Man (and Girl) from UNCLE, among many others.The Young Ones even turned up at one point! Okay, maybe it’s a BIT cringe-worthy.

6. What’s a normal writing day like?
Let me cast my mind back to when “normal” was a thing . . . My ideal writing day would be – getting up early, sometime between 4.30 and 6 am. I love that time of the morning, when it feels like I’m the only person awake and the world is mine. A cup of Earl Grey (one of many varieties – I’m a total tea nerd), followed by a cup of green tea (again, one of many varieties – 20+ at last count), and some music to write to, usually film scores or Tangerine Dream. Then I’ll stare at the blinking cursor for ages, trying to remember why I do this. LOL

7. What work of yours would you recommend for people on lockdown and in need of a good book?
If you want a haunted house novel, you could show your love to The House of Frozen Screams. And if you prefer short stories, Octoberland has you covered!

8. What are you working on now?
I’d love to say I’m working on something, but right now I’m just trying to stay sane. (Wow, that sounds bleak.) Lest you think I’m just paralysed by fear and cowering in the shadows . . . John and I are having a lot of fun playing Magic: the Gathering and watching tons of movies and series. There are books too, of course. And jigsaw puzzles. And audiobooks and podcasts. I’m an introvert, so the isolation isn’t as hard for me as it is for others, but it’s still taken a toll on my creativity.

Friday, 10 May 2019

What's New? (Mr and Mrs Edition) Part Two: Thana Niveau

1) So, what’s new from you?

I launched three books at Fantasycon last year – my second collection Octoberland, my micro-collection Unquiet Waters, and my debut novel House of Frozen Screams.


2) How did it come about?
 

I’m not very good at staying on top of all the stories I write, and I should have published a second collection years ago! As a result, Octoberland covers quite a range and is something of a bumper crop. Unquiet Waters is smaller and more intimate, with four stories linked by the theme of water. And House of Frozen Screams was partly inspired by our search for a new flat, combined with all my primal Cronenbergian body horror fears. It’s my take on a haunted house, one that isn’t quite what it seems.

3) Tell us about the process of how you created it.
 
My process is pretty reclusive. I can’t write in cafes or public places with other humans around. I focus best at my desk, where I play film scores to accompany whatever I’m writing. (Or not writing – sometimes I can just stare at the blank page for ages wondering where the hell my muse has got to.) But I have Alexa to keep me company if I feel too isolated.

4) What was your favourite part of the process?  
It’s bound to be the same for every writer: that exquisite moment when everything clicks into place and the story flows straight from your mind to the page. But other than that rare and magical experience, I really love world-building. I probably spend way too much time on it, because a lot of it never even makes it into the story. But I like to hope it enriches the writing anyway. 

5) What was the toughest part of it?
 

When I was writing House of Frozen Screams, I was very much looking forward to a couple of gruesome death scenes I had planned. I’ve written loads of violent, horrible deaths and enjoyed killing characters before, even nice ones. But in House, I found it really difficult. I’ve heard other writers describe similar experiences, but it was a first for me.
6) Is there a theme running through it?

There’s definitely a theme in House of Frozen Screams: the female body is as much a place of horror as any haunted house.

7) If you had to sum this book up in three words, what would they be?
 

I’ll do all three books! Octoberland: haunted, nostalgic, sinister Unquiet Waters: eerie, uncanny, apocalyptic House of Frozen Screams: unnatural, nightmarish, macabre

8) Where can/will we be able to get hold of it?
 
Octoberland – PS Publishing
Unquiet Waters – Black Shuck Books
House of Frozen Screams – Horrific Tales

Monday, 6 May 2019

What's New? (Mr and Mrs Edition) Part One: John Llewellyn Probert

1) So, what’s new from you?

I've got a short story coming out in Cemetery Dance magazine called 'Healing Hands Beneath a Swann-Morton Sky'.

2) How did it come about?

I was at the gym, which is the only place in the world I might even consider watching daytime TV. There was a piece about bacterial antibiotic resistance and the fact that no new antibiotics have been developed for many years because it's not of sufficient financial interest to drug companies. That's the sole reason. So people are dying of infections right now simply because drug companies don't see sufficient profit in researching new ones. I had been aware of this before, of course, but for some reason at that moment it focused my mind perfectly.

3) Tell us about the process of how you created it.

I got incredibly angry about the state of the world we live in, came home from the gym, and wrote the whole thing straight down in a notebook.

4) What was your favourite part of the process?

Realising I'd created something of a nature and style that I'd never done before, and done it to my satisfaction.

5) What was the toughest part of it?

People have often commented in the past about how successfully I blend humour with horror. The thing is, I don't ever actually try and do this - that's just how the stories come out. I didn't want this one to have a trace of 'funny' in it and once it was written I spent a lot of time going over it to make sure it wasn't the victim of 'inadvertent wit'!

6) Is there a theme running through it?

We are all truly doomed if we keep living the way we do now.

7) If you had to sum this story up in three words, what would they be?

Angry. Political. Downbeat. Three words I never thought my fiction would be. And who knows? It may never be again. Because you see I don't actually enjoy writing this kind of thing, it doesn't make me feel better and if anything it just makes me feel worse, whereas the whole point of my fiction is that I want it to be a pick-me-up, both for me and the reader. But every now and then you just can't help what comes out, can you?

8) Where can we get hold of it?

It got picked up by Richard Chizmar's Cemetery Dance, which I was both pleased and bewildered by, as it's the first major sale I've had to a US print magazine. God help people who like this and seek out some of my other stuff, because it won't be what they're expecting at all! Although I will add to that something Joel Lane (one of my writing heroes) said about Robert Bloch (another one), that people who thought Bloch was just being funny hadn't realised that beneath his entertaining approach was actually quite a bleak and bitter view of humanity. So maybe it's been there all along. I promise I'll keep it lighter for next time, though.

Probably.

Thursday, 18 October 2018

The Inevitable 'What I'm Doing At Fantasycon' Post For Anyone Who Missed It On Facebook

Last year's FCon, with Priya Sharma, Lynda E. Rucker and Sean Hogan/
My Fantasycon 2018 Schedule: I'm a little on the busy side this year.

Friday
5.00 pm
Panel: Writing The Immortal Enemy
Simon Bestwick (m), Powder, Ren Warom, Clint Wastling, Den Patrick
A panel tribute to those villains who refuse to submit, lay down and die. Maybe you wrote an evildoer and you couldn’t let go? Maybe you’re a fan of one that we all know? Our panel talks about those recurring nemesii who we all love and hate.
 
7.00 pm
Readings (Horror)
Stephen Laws, Simon Bestwick, Tina Rath
Stephen and Tina are both ace writers. I don't know what they'll be sharing with the audience, but I'll be reading one of the tales from Singing Back The Dark.

Saturday
1.00 pm
Black Shuck Books Launch
Black Shuck's FCon releases include John Llewellyn Probert's The Last Temptation of Dr Valentine, Colleen Anderson's A Body Of Work, and Great British Horror #3: For Those In Peril. This sea-themed anthology of horror fiction includes my story 'The Bells Of Rainey.' So I'll be there.

7.00 pm
Writing Warfare
Simon Bestwick (m), Danie Ware, Andy Remic, Anna Stephens, Anna Smith Spark
From Homer to Warmaster Horus, the battle scene has been a mainstay of epic fantasy and space opera science fiction. Our panel discussion battle scenes, whether up close and personal, from a tactical  perspective or looking down from the god’s eye.

Sunday
12.30pm
Dead Bodies
Simon Bestwick (m), Steve Toase, GV Anderson, James Brogden, Simon Clark
Many good stories involve a mystery. Whether the case at hand has remained unsolved for hundreds of years, or happened in the first chapter of the book, a good puzzle provides the writer with an opportunity to engage the reader’s brain in finding the answer. Our panelists discuss unsolved conundrums, consider the role of accurate research, and look at a range of tools that are at the writer’s disposal to create intriigue for the curious reader. 

Sunday, 30 September 2018

Thana Niveau on The House of Frozen Screams and Octoberland

This year's Fantasycon will be a major event for the fantastic Thana Niveau, as it sees the launch of both her new short story collection Octoberland (PS Publishing) and her debut novel, The House of Frozen Screams (Horrific Tales0. So I thought I'd ask her a few questions about them. And about writing. And things.


1) Are you a Planner or a Pantser?

Bit of both! I’m definitely not an outline-the-whole-project writer, as half the joy for me is seeing where the story and characters lead me. I usually start with an image or a character and then start writing to see what happens. Obviously this means cutting a lot of false starts and side quests, but sometimes these brainstorms get repurposed in other stories. Only very rarely does an idea come to me fully formed, where I visualise an entire story. Names, however, do get obsessively planned. Sometimes you can spot their significance and other times they’ll only have meaning for me.


2) Do you aim for a set number of words or pages per day? If not, how do you mark progress on your work?

I’ve tried to do the word count thing, but it feels constricting and tends to stifle my creativity. If I’m up against a deadline, forcing a set number of words per day can help, but sometimes I’ll find myself piling on the adjectives near the end purely to hit the target, stuff I’ll just delete the next day. If I’m feeling uninspired, I’ll jump to a moment I really want to write, or follow a whim, knowing it might lead nowhere. So a set daily word count isn’t terribly useful for me. As for marking progress, I suppose I just have some abstract concept of how long the story will be, what percentage I’ve written, and how much further there is to go.


3) Are there any themes or subjects you keep coming back to?

Definitely! There was a Facebook game a while back: “You know you’re in a ___ story when…” That was fun because I’d never really noticed how many pet themes I have. I write a lot about siblings who are very close, as well as father/daughter relationships. The sea features in quite a few stories, and very often the water itself is a character. I also love to get into the POV of abstract things or ideas - like the burgeoning sentience of AI or bodiless aliens in space who have no language. I’m good at making the writing really difficult for myself sometimes! LOL But these are the kinds of ideas that fascinate me and inspire me to write in the first place.


4) If you had to sum up your novel The House of Frozen Screams in a sentence, what would it be?

Nick and Liz are happily married and don’t want children. But the house they’ve just moved into does.


5) What was the genesis of The House of Frozen Screams?

Shirley Jackson’s The Haunting of Hill House is one of my all-time favourite books, and I love the relationship Eleanor has with the house. I wanted to explore the personality, motives and history of a haunted house of my own, and the effects it has on its occupants. What would a house want and why?


6) What was the biggest difference, for you, between writing short stories and writing your first novel?

Well, it’s technically not my first novel. LOL There’s the one I wrote years ago that went through the whole acceptance/editing/proofs process with a very dodgy publisher who then vanished into thin air. For years the book was “available” on Amazon even though it didn’t exist, and I was finally able to get them to pull the listing. I was so disillusioned by the experience I haven’t looked at it since. But I think about digging it out sometimes, updating and rewriting it.

But sorry - I got off on a tangent! I’m definitely more of a novel reader. I do love reading short stories, but I prefer the immersive experience of a novel. And I prefer living in one single world for extended periods as a writer as well. But I have too many shorter ideas not to get them down first, which pushes all my longer ideas to the back of the queue. Some ideas are clearly only short story ones; that is, a novel couldn’t sustain them. But many of them feel like whole worlds I could explore further, and I find myself saddened that I can’t. I often have to trim them to fit a given word count. With The House of Frozen Screams, I found myself having to check the instinct to trim, to “get to the point” of a scene more quickly because I was going to run out of space. It was a real luxury to have the room to spread out and explore everything in the story.


7) Octoberland is your second full-length collection. How do you think it differs from your first, From Hell To Eternity, and from your micro-collection, Unquiet Waters?

Octoberland collects more recent stories than From Hell to Eternity, so (hopefully) my writing has grown and matured. I think I was a lot more confident with the stories in Octoberland as well, much more willing to take chances.

Unquiet Waters features four connected stories, and the theme I chose was water. I’ve written a lot of stories about the sea, diving, snow, a drowned Earth, etc. So those ideas run through all three collections, and I can think of at least three more stories out there in anthologies that are set in the ocean.



8) What’s your favourite story from Octoberland?

Oh, that’s a tough one. “The Calling of Night’s Ocean” is one of my very favourites. (That’s the one that’s partly written from a dolphin’s POV.) But the title story “Octoberland” is special to me as well. There’s quite a lot in it that’s not fiction. Dani Serra’s cover art beautifully illustrates the mood I was aiming for: “gothic Bradbury”.


9) If you could put one piece of work into a time capsule for the future, what would it be?

Definitely one of my SF stories, just to see if my apocalyptic visions came to pass! I think I’d choose “And Fade Out Again”, which is set in a future flooded Earth, with the remnants of humanity living in a sunken city grown from the Eden Project in Devon. (It’s in Great British Horror vol 2: For Those in Peril, from Black Shuck Books.)


10) What does the future hold for Thana Niveau?

I’ll continue to dream of uploading my mind into an android body while I expand my SF writing. I’ve been toying with the idea of a new pseudonym for SF, and keeping “Thana Niveau” purely for horror.

I have two separate SF novels in the works, but in between I’m also writing several horror short stories. (It’s hard to say no when you’re invited!) In addition, I’m working on a Midnight Movies monograph about one of my all-time favourite films: The Descent. But my desktop is littered with works in progress because I find it difficult to focus only on one project at a time. This is why I need a biotech upgrade!



Thana Niveau was born to the wail of the Wendigo and the whisper of warp engines. She is a Halloween bride, sharing her life with fellow scribe John Llewellyn Probert, in a crumbling gothic tower filled with arcane books and curiosities. And toy dinosaurs.
Messages from the beyond: thana.niveau * gmail * com

Tuesday, 25 October 2016

A Hazy Shade of Winter and 10 Books For Halloween

With Halloween next week, it's only natural to start casting about for suitable stuff to read and watch. You can't beat a good ghost story - although horror is more than just that, as the list below should prove.

But first, a quick plug:

My first collection, A Hazy Shade Of Winter, was published in a beautiful limited edition by Canada's Ash-Tree Press, was introduced by Joel Lane, and consisted of thirteen short stories and a 20,000 word novella.

And it's a book of ghost stories.

Matthew returns to the house where he spent an idyllic summer with a group of friends, and finds them waiting for him to join them... permanently.

The people of a small village hunt a supernatural intruder - but who are the real monsters?

An innocent walk in unfamiliar surroundings becomes a journey into a nightmare; a stranded tourist faces a bizarre challenge; a harassed employee takes a desperate revenge on her employer; and a secondhand book of ghost stories becomes the instrument of a malevolent, restless spirit....

A Hazy Shade Of Winter is now available as an ebook on Amazon in the US and UK. So if you still can't pick a Halloween read after checking out the list below...

But I have a feeling you will. (Shit, I'm talking myself out of sales here...) So here, in no particular order, are ten books for Halloween. There are a couple of well-known titles here, but I've tried to pick a few that'll be less familiar as well.

1) The Matrix by Jonathan Aycliffe
The only novel on this list. Jonathan Aycliffe is a master at producing book-length ghost stories in the M.R. James vein, but this one, a tale of black magic, may be his best. Andrew Macleod, grieving after the sudden death of his wife, takes an academic job in Edinburgh, where he begins researching occult and esoteric groups there. His researches bring him into contact with Duncan Mylne, a wealthy lawyer and occultist, and into a world of black magic and evil. Finally he discovers the true reason for Mylne's interest in him - but it might be too late. A subtle and deeply creepy novel, the kind that has you looking over your shoulder at every creak of the floorboards if you read it alone at night. Just as good is Aycliffe's first novel, Naomi's Room.

2) Alone With The Horrors by Ramsey Campbell 
There was no way there couldn't be something by Ramsey Campbell on this list; the difficulty was which book. Alone With The Horrors is a great retrospective collection, sampling tales from throughout Campbell's career up to that point (1991), from the Lovecraftian chills of Cold Print through to tales like 'Again', which is still one of his most disturbing tales. It's a fine collection of 39 stories (in the Arkham House or Hodder Headline editions; 37 in the more recent re-release from Tor) to be dipped into at random till you find the tales that suit you best.

3) Craddock by Paul Finch
Paul Finch is now a best-selling crime novelist, but his roots are very much in horror and he has a huge backlist of collections to prove it. Just about any of them are worth grabbing (Stains, Walkers In The Dark, After Shocks and the three Medi-Evil mini-collections were all close contenders for this list) but Craddock (aka Major Craddock Investigates) is my Halloween recommendation. Set in 1860s Wigan, it comprises four novelette or novella-length stories - The Magic Lantern Show, The Coils Unseen, The Weeping In The Witch Hours and Shadows In The Rafters - featuring police detective Jim Craddock, whose investigations have a tendency to bring him up against the supernatural and is both superbly readable and hugely atmospheric.


4) From Hell To Eternity by Thana Niveau 
The debut collection from one of horror's rising stars is by turns lyrical, subtle, erotic and cruel. Stories like 'The Death of Dreams' are rooted in science fiction, while 'Antlers' starts out as a grimly believable account of human viciousness before giving way to a supernatural resolution. In 'Pigs', an illicit affair brings a young couple face to face with a herd of feral porkers, while the title story brings in the most notorious serial killer of them all.

5) The October Country by Ray Bradbury 
If there's a more apt collection for this time of year, I don't know what it is. Rich and lyrical, hugely imaginative, dark and scary, it's a timeless classic, including such tales as 'The Emissary,' 'The Next In Line', 'The Jar', 'Skeleton' and one of my all-time favourites, 'The Scythe.' If you've ever read Ray Bradbury, no further introduction should be necessary. If you haven't - well, here's the perfect place to start.

6) Warning Whispers by A.M. Burrage 
M.R. James may be the undisputed king of the English ghost story, but Alfred McClelland Burrage is one of its unsung heroes. Several of his best-known stories - such as 'The Sweeper' and 'Smee' - appeared under the byline 'Ex-Private X', the name under which Gollancz published Burrage's memoir War Is War, a memoir of his experience in the Artist's Rifles during World War I, which included fighting at Passchendaele. But if you have any of those big fat anthologies of ghost stories you often find in charity shops, there'll almost certainly be at least one Burrage story. This posthumous collection includes a host of inventive and chilling tales, not least the opening story, 'The Acquittal'.

7) Scattered Remains by Paul Pinn 

The late Paul Pinn was a superb writer who deserves to be far more widely remembered, and this, his first collection, is an extraordinary tribute to his skills. Ranging back and forth across the borders of crime, SF, fantasy and horror, his stories burrow into the psyche. 'Handicapped' shows a paranoiac's persecutory fantasties building up to explosion point; the title story depicts a post-apocalyptic world where NBC-suited soldiers battle an unstoppable army of horsemen wearing robes of human skin. The opposite of a pleasing terror.

8) The Moon Will Look Strange by Lynda E. Rucker
Lynda Rucker is brilliant at crafting beautifully-written and subtly unsettling tales, where the world we know... shifts, into something strange and off-kilter. By the time you know what's going on, it's probably too late. Her debut collection is one to savour over time, like a fine whisky. A new one, You'll Know When You Get There, is out now from Swan River Press. Fans of Robert Aickman and Shirley Jackson, take note.

9) Antique Dust by Robert Westall 
Westall wrote one of the great novels for children, The Machine-Gunners, set on Tyneside during the Second World War - not to mention some fine short story collections such as Break Of Dark. This collection, his first for adult readers, centres on antique dealer Geoff Ashden. "I have known more evil in a set of false teeth than in any so-called haunted house in England," he tells us, and he should know: after all, his trade brings him into contact with the past - and the dead - on a daily basis. The whole book is something of a love letter to M.R. James, but is a fantastic collection in its own right.

10) For Those Who Dream Monsters by Anna Taborska 
Anna Taborska doesn't write enough, but when she does it's fierce and uncompromising, with an unflinching eye for the kind of savagery humans can inflict on one another. Stories such as 'Little Pig' - one of the best in the book, a short, harrowing and heart-rending tale - have nothing of the spectral about them, needing only human evil and desperation as their cause, but Taborska is at ease with the supernatural too, as in 'The Creaking'. Other tales, such as 'Buy A Goat For Christmas', show a welcome streak of dark humour. Published by Mortbury Press, the book also boasts an introduction and beautiful illustrations by Reggie Oliver.