'22 in Review

Phew. Well that was quite a year.

A fair bit happened, just for me personally (I'm not even going to try to summarise the year's political upheavals or all the cool people we lost.) It went something like this:

I got an agent (properly speaking, I signed with the Ki Agency last year, but couldn't officially announce it, for Reasons, till well into this year.) I'm still with Ki and looking forward to more excitement in 2023, but now represented by agency founder Meg Davis, as Anne Perry has moved on to become the new commissioning editor at Jo Fletcher Books. Anne has been an absolute star and I hope we get to work together again in the future.

I had a novel published under a new pen name, to excellent reviews and pretty good sales. 

I wrote two complete novels in 2022, and am partway through a third. That took up the bulk of my time and energy work-wise this year, but I also managed to place three stories with publications due out in 2023: 'Are We Going Under?' will appear in ParSec Magazine, 'Kingbreaker' in Shakespeare Unleashed, and 'The Flight Of Ravens' in Unknown Superheroes Vs The Forces of Darkness. 

On top of all that, I started a podcast, No Darkness But Ours, with my friend and colleague Gemma Files, in which we discuss horror in all its forms. Topics so far have included snowbound horror, the work and legacy of M.R. James, and Folk Horror. We're currently in the middle of a discussion on Queer Horror, with more to come. You can check our work out here.  

Under my own byline, the following was published this year:

Short Fiction:

Nemesis of Wire (Phantasmagoria #20, ed. Trevor Kennedy)

Bait (Book of Extraordinary Femme Fatale Stories, ed. Maxim Jakubowski)

Mummy Calls (Classic Monsters Unleashed, ed. James Aquilone)

Work published on Patreon:

Short fiction:

This Life, This Death

The Night of the Dog-Headed Man

The Death of Norma Lake (fragment from early draft of Bonewalker)

Low Over Water

The One You Feed

Adaptive Evolution In The Lancashire Grindylow: A Report By Alexandra Thraves Ph.D

The Bactrian

Verse:

Submariner

Beacon 46-A

The Christmas Kiss

In addition, my story 'Redwater,' from The Alchemy Press Book Of Horrors 3: A Miscellany Of Monsters, was reprinted in Ellen Datlow's The Best Horror Of The Year #14, making three years in a row that my work's appeared there.

Thank you to all the editors who've published me this year, to Anne and Meg, to Gemma for her support on the podcast, and to all readers and listeners who've supported my work by reading or listening to it.

Finally, and most of all, to my lovely wife, Cate, without whom none of this would have been possible.

Happy New Year, everybody.

Good luck for 2023.

Simon x

 

2022 so far...

Well, the New Year is already no longer so new, rushing by at a rate of knots; we're already a week into the second month of it.

Various things are in motion at this end; I finished one novel on New Year's Eve and have a few last revisions to do, and am about 30,000 words into what will hopefully be a new one. 

The new issue of Phantasmagoria magazine is out, featuring my story 'Nemesis Of Wire' alongside new fiction by Caitlin Marceau, Evangelia Papanikou, Mike Chinn and many others. 'Nemesis Of Wire' is a Christmas-themed chiller (the issue was originally slated for December) set in a trench on the Western Front in World War One, where amid all the state-sanctioned slaughter, the legacy of one heinous act still lingers...

Reviews of Ellen Datlow's body horror anthology Body Shocks continue to appear, including
this one from Anthony Cardino, which concludes: "If I had to choose the most disturbing story in the anthology in terms of body transformation and trauma, it would be a three way tie between Simon Bestwick’s “Welcome to Mengele’s,” which involves bodily abuse of clones; Cody Goodfellow’s “Atwater,” which contains both the most disturbing birthing scene I’ve read and a scene reminiscent of the climax of the movie Akira which made me physically ill the first time I saw it on VHS; and Michael Blumlein’s “Tissue Ablation and Variant Regeneration: A Case Report.”" 

I still haven't settled down to read Body Shocks, believe it or not, but I'm looking forward to it, and I'm inordinately pleased that a story I wrote all the way back in 1998 is still disturbing the hell out of people.

Reviews of Devils of London have shown up thick and fast, with Linda Nagle raving over it at Ginger Nuts of Horror and more qualified, though generally positive, reviews from the Future Fire and Horrified. I suspect they're right that there maybe should have been more to this story than there was; maybe I need to return to the theme in a novel. Or maybe I'm just too quick to believe every criticism. Even if I am, though, I kind of like the idea of exploring the premise at greater depth and in greater detail...

Finally - and I've been meaning to blog about this all year! - I was delighted to find I'd made two people's 'top ten' list for 2021.

On Twitter, Ian Duff listed 'ten books I read for the first time in 2021 and really enjoyed', which were:

1) Last One At The Party - Bethany Clift
2) Roth-Steyr - Simon Bestwick
3) One Day All This Will Be Yours - Adrian Tchaikovsky
4) Never - Ken Follett
5) Tidepool - Nicole Willson
6) The End Of Men - Christina Sweeney-Baird
7) The Handmaid's Tale - Margaret Atwood
8) Zero Day Code - John Birmingham
9) The Burning Girls - CJ Tudor
10) Nine Ghosts - Simon Bestwick

Making the list twice is brilliant enough, and even better when I'm sharing it with the likes of Margaret Atwood, CJ Tudor, Adrian Tchaikovsky and Ken Follett...

And last but far from least, Tony Jones published his Top Ten Reads of 2021 at Horror DNA, in which A Different Kind Of Light leads the list, alongside work by Adam Nevill, Ronald Malfi and Philip Fracassi:

"A Different Kind of Light is top-heavy with genuinely standout creepy scenes which leave a lasting impression once the final page is turned... Out of the blue Ash receives a message from Danie, an old university friend, who is seeking help in authenticating a piece of vintage sports film footage, which features the aftermath of the 1955 Le Mans Disaster. In this crash, the driver Pierre Levegh swerved into spectators, killing 84 and injuring 120 in the deadliest accident in motor racing history. The pair agree that there is no way this footage could have been faked and investigate further, buying the oddity on behalf of a third-party collector.

Building horror novels out of real historical events is a tricky business and A Different Kind of Light totally nails it. When Ash realises there is something very dodgy with the film, his research takes the story into unpredictable directions, with the balance of the developing supernatural storyline convincingly interconnected to the dynamics between the two main characters, and an enticing investigation into the origins of the film.This haunting novella will remain with you long after the killer ending."

All of which makes me a happy man, as we forge ahead into the uncharted waters of 2022.... 

The News From Castle Bestwick (30th July 2021): Railroad Tales, Nemesis Of Wire and Black Mountain

Cate started her chemotherapy this week, which made for a scary time at first; we were both worried what side-effects the treatment might have, but so far (touch wood) they've been few and mild. She's feeling a lot better about the treatment than she did (she's been in better mental health than me all week, in fact.)

Railroad Tales, which includes my story 'And You Heard The Rattling Death Train,' is out now from Midnight Street and available on Amazon.   

Here's the full table of contents:

THE TRACKS THROUGH THE FOREST  John Kiste

AWAYDAYS  Allen Ashley

THE HOOSAC TUNNEL LEGACY  Norm Vigeant

RAILWAY MUTTON CURRY  Nidheesh Samant

THE NUMBER NINE  James E. Coplin

GHOST-WALKER  Andrew Darlington

SPARROW'S FLIGHT  Nancy Brewka-Clark

HARBERRY CLOSE  C. M. Saunders

GEISTERBAHNHOF  Saoirse Ni Chiaragáin

THE ANNIVERSARY  David Penn

ACROSS THE VALE  Catherine Pugh

WHERE THE TRAIN STOPS  Susan York

THE NIBBLER  Gayle Fidler

SHORT PLATFORM  Gary Couzens

WILSHIRE STATION  Caitlin Marceau

AND YOU HEARD THE RATTLING DEATH TRAIN  Simon Bestwick

NOT ALL TRAINS CRASH  Steven Pirie

BALLYSHANNON JUNCTION  Jim Mountfield

CABOOSE  Andrew Hook

THE TRACKS  Michael Gore

THE DEVIL RIDES THE NIGHT TRAIN  Curtis James McConnell

THE PIER STATION  George Jacobs

THE SAMOVAR  A. J. Lewis

This week also brought another story acceptance, from Phantasmagoria magazine, for my story 'Nemesis Of Wire.' (The title's something of a homage to Algernon Blackwood.) That will be published later this year.

The reissue of Black Mountain from Independent Legions (which I'm still over the moon about!) is slated for September. More information on this, and a reveal of the new cover art, in the near future.

Have a good weekend, everybody, and thanks, as ever, to everyone for their kindness and support.

Simon x